PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 31 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

  

                                                       

 

THE STRONG CARD

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words

"Ahmad Jamal Presents Shahin Novrasli" at MCG

Event Details

"Ahmad Jamal Presents Shahin Novrasli" at MCG

Time: May 13, 2017 from 7:30pm to 9:30pm
Location: MANCHESTER CRAFTSMENS GUILD
Street: 1815 Metropolitan Street
City/Town: Pittsburgh, PA 15233
Website or Map: http://htt[p://mcgjazz.org
Phone: 412-322-0800
Event Type: concert, piano, jazz, duo, public, welcome
Organized By: MCG Jazz
Latest Activity: on Thursday

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Event Description

Pianist and composer Shahin Novrasli has had the occasion to play some of the most prestigious stages in the world, such as London’s Royal Festival Hall, the Montreux Jazz Festival, the Black Sea Jazz Festival, Prague’s Mezinarodni Piano Festival and numerous clubs and festivals throughout the United States.

He will be doing a duo with James Cammack, my bassist for 27+ years.

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Comment by Dr. Nelson Harrison on Wednesday

Growing up in Azerbaijan, Shahin’s rare talent emerged from his country’s various compositional influences as well as its unusual and rich musical heritage.

At the age of five, he began his classical studies at Azerbaijan's highest noted music school - The Bulbul Music School, and then at the Hajibeyoy Academy of Music. At only eleven years old, he performed with the local Symphony Orchestra at the Azerbaijan State Philharmonic Hall, and at eighteen, Shahin played Rachmaninoff’s infamous and arduous “Piano Concerto N°2″before an ecstatic audience.

Elegantly blending his classical knowledge, Azerbaijan’s traditional folk “Mugham” and his jazz influences, Shahin created his own unique and accomplished musical universe, among which he combines eastern and western cultures. A gentle wave of exotic melodies, powerful and sharp harmonies, capricious eastern rhythms struck by an American Jazz lightning, majestic and vigorous. With a solo project, a trio with Ari Hoenig and Nathan Peck, countless collaborations with notably Kenny Wheeler, Iain Ballamy and Tim Garland, to name a few, Shahin is today an icon for Azerbaijan Jazz and has received enthusiastic comments from worldwide critics and audiences.

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