Pittsburgh's Own Regional Notables of Jazz
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PITTSBURGH JAZZ
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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There is a dearth of oral history available documenting the greatness of the Pittsburgh Jazz Tradition and Legacy.. Please feel free to add a quote of your own or words of wisdom or humor from a Pittsburgh artist that you may find of interest.
Website: http://pittsburghartistregistry.org/drjazz
Location: Pittsburgh, PA
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Latest Activity: 11 hours ago
I don't need time. What I need is a deadline. -Duke Ellington, jazz pianist, composer, and conductor (1899-1974)
Discussion Forum
"No One Could Tell You How To Play"
Started by Dr. Nelson Harrison Nov 15, 2018. 0 Replies 1 Like
Ellis Marsalis Interview - 2002: Part Six
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Ellis Marsalis Interview - 2002: Part Five
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Comment by Dr. Nelson Harrison on July 30, 2011 at 2:00am
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The whole thing of being in music is not to control it but to be swept away by it. If you're swept away by it you can't wait to do it again and the same magical moments always come.
—Bobby Hutcherson
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Thelonius Monk went over to Bird and Bud Powell and said, 'I told you guys to act crazy, but I didn't tell you to fall in love with the act. You're really crazy now.'
—Charles Mingus
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Regardless of what you play, the biggest thing is keeping the feel going.
—Wes Montgomery
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Jazz is an art form that depends on its antecedents, there must be respect for the people that have gone before.
—Jon Hendricks
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Every note Roy (Eldridge) played had meaning and life...his feelings pushed the valves down, not his fingers.
—Don Ferrara
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"Jazz is a mental attitude rather than a style. It uses a certain process of the mind expressed spontaneously through some musical instrument. I'm concerned with retaining that process."
—Bill Evans
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Jazz is freedom. You think about that.
—Thelonius Monk
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Musicians in the fifties were the very epitome of everything cool. Just the presence of Miles Davis and John Coltrane lowered the earth's average temperature by 2.4 degrees...
—Genius Guide to Jazz, April 2001
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Jazz is known all over the world as an American musical art form and that's it. No America, no jazz. I've seen people try to connect it to other countries, for instance to Africa, but it doesn't have a damn thing to do with Africa.
---Art Blakey
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It's something that - jazz is one of the few things that you can go and listen to, I don't care where you're from, what you are, what background you come from - there's something there for you.
---Billy Higgins
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