PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words

L-R: Jerry Betters, - -, Frank McGown, Henry Belcher, --, Chuck Fearbry

Views: 137

Location: Pittsburgh, PA

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Comment by Dr. Nelson Harrison on September 26, 2009 at 4:59am
Henry Louis Belcher, 1915 - 2009

Henry Belcher was very proud to receive the 2000 Manchester Craftsmen's Guild Tribute Honoring the Dancin' Demons. The evening was produced by his nephew, Evan Frazier, Executive Director of The Hill House Association. The Demons also received a Pennsylvania Folk Arts Fellowship Award, in recognition of their talents and contributions as traditional artists. They also received the first Living Legend Award at Pittsburgh's 12th Annual Black Extravaganza and Trailblazer Awards given by Renaissance Publications.
On June 10, 2006, Major A. Mason III, Ph.D., Henry’s good friend, interviewed Henry for Story Corps, the national NPR project keeping alive family stories. That interview led to a special on “The Art of Living” cable television network from Baltimore. They sent a crew of four to tape the interview at Henry’s home and it was aired over Comcast cable in March 2007. In addition, Mr. Belcher was the oldest member of Pittsburgh’s Black & White Reunion and tapped at their 10th Annual Summit against Racism on January 21, 2008, at the age of 93.
Mr. Belcher in his 94 years was a hoofer, choreographer, advocate, Pittsburgh NAACP organizer, mentor, role model, Mother Nature enthusiast and an Honorable and wise Spiritual Elder. We leave you with his favorite words of wisdom:
“You Can Say That” and ”Ain't Nothing To It But To Do It!”

Besides being a great professional hoofer (tap dancer), Mr. Belcher was most proud of the fact that, and I quote,
“These hands that literally picked cotton, picked the first African American, the 44th President of the United States, Barack Obama.”
Henry (Bel) Belcher Memorial October 1, 2009, 11:00 am, Vintage, 401 N. Highland Ave., Pittsburgh, PA 15206
Comment by Dr. Nelson Harrison on September 26, 2009 at 4:58am
Henry Louis Belcher, 1915 - 2009

Henry Louis Belcher, a “Dancin’ Demon,” was born January 15, 1915 in Pendleton, SC to Ethel and Louis Belcher, who were sharecroppers. He was most proud that his birth date, January 15th, was the same as the Rev. Dr. Martin Luther King Jr. and he told everyone he came in contact with. Mr. Belcher died in his sleep on April 1, 2009 at UPMC Presbyterian Hospital in Pittsburgh, PA.
Belcher was always stronger and smarter than other kids his age. In fact, those close to “Bel” (his nickname) called him “cotton picker” because at ten years of age, he was known as a chief cotton picker, outpicking kids even 15 and 16 years old on the Old Man Williams Plantation in Pendleton, SC.
Henry never “took any stuff” from anybody and he developed a habit of defending the weak at an early age. His family was part of the great African American Migration when they moved to the Hill District in Pittsburgh (2235 1/2 Webster Avenue) in 1925.
Always good with his hands, he learned carpentry, plumbing, machine and shoe repair. Those skills eventually allowed him to build most of his own home in Indianola, PA in his later years.
At 15 years of age, he started tap dancing on Wylie Avenue and Fulton Street on the Hill, as a way to keep money in his pockets. He learned from people on the street, but was influenced by Bill “Bojangles” Robinson, Fred Astaire, the Berry Brothers, the Miller Brothers and their sister, Lois. Another influence was the group, “Tip, Tap and Toe” who danced on a large drum.
Belcher was a tap dancer in the original production of "Fantastic Rhythm" by Billy Strayhorn at Westinghouse High School in 1938. Then he formed a tap group called “Ham Kel and Bel, The Hot Shots—The Six Sensational Sizzling Shoes.” The members of the group were: James Hambrick, Henry Kelly, and Henry Belcher. At that time, the Hill District was known as the crossroads of the world and they performed at the Ritz located at Fulton and Wylie in the Hill District. Ham Kel and Bel, The Three Hot Shots joined “The Brown Skin Model Road Show” touring in Ohio, Virginia and Pennsylvania.
They made it to the" Big Time" in 1940 when the trio appeared at the Apollo Theater in Harlem, New York City as “The Mad Magandis.” They were on the same bill as the Four Step Brothers and Lucky Millinder’s Big Band backed them up.
When Gregory Hines appeared at the Three Rivers Arts Festival in 1981, he asked if there were any old hoofers in the crowd and Henry Belcher and Irvin Taylor (later he became a Muslim and changed his name to Nazeeh Hameed) went up on stage and tap danced with him. Gregory Hines was duly impressed.
He worked for many years at Don Allen Chevrolet in East Liberty and joined the Centre Avenue YMCA on the Hill where he swam regularly and used the facilities to practice tap dancing. Once he retired from Don Allen, he built an 8' by 16' tap dance floor in the basement of his home in Indianola and proceeded to offer tap dancing classes for youth. Many asked him how he built the floor and he said, “Piece by piece; it was a lot of hard work.”
Henry Belcher and Nazeeh Hameed formed “The Dancin' Demons,” dedicated to preserving and promoting Tap, one of the United States' oldest art forms. The Dancin' Demon’s were managed by his brother “Andy” Frazier. They received many awards for their performances and danced many a gig that brought joy and happiness to all who saw them. When they performed for senior citizens in Western Pennsylvania, the seniors were always excited to see two of their own still dancin’ up a storm.
Henry Belcher was very proud to receive the 2000 Manchester Craftsmen's Guild Tribute Honoring the Dancin' Demons. The evening was produced by his nephew, Evan Frazier, Executive Director of The Hill House Association. The Demons also received a Pennsylvania Folk Arts Fellowship Award, in recognition of their talents and contributions as traditional artists. They also received the firs

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