From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlanto Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
Yes I am the Bill Lowman from Pittsburgh. I also worked with your brother at 911 for a couple of years. I recently saw your video on Metaphysics of Music on FB and was completely blown away by your presentation. I am very glad to see the power and knowledge continuing to grow and be available for our people. Thank you for all your hard work and labors of love.
At 4:06am on September 20, 2009, Imani Zubeh said…
Hi Dr. Harrison. Yes, I have met and worked with Gary. Year ago we met, probably in the late 90`s and worked together in Nagoya a few times for the same company. I know he moves around a lot, but he is a fantastic vocalist and person. I really have a lot of respect for him. Thanks for letting me know he`s here, I`ll look him up now. Have a great day, Imani
At 4:57am on September 19, 2009, Imani Zubeh said…
Hi Dr. Harrison! Thanks so much for getting back and sharing a little more. Yeah, Fukuoka is growing up a little. Glad you had a nice time and actually remember "Hakata". I live in the same area. Yes, PLEASE post some of those priceless photos for us/ME to enjoy.... smile
I`ll be checking in often as I`ve already made some nice connections. Thanks again and keep slammin`.... Mad respect for you, IMANI
What a wonderful opportunity to connect with other jazz artists and fans. You have quite the outstanding list of accomplishments along with some excellent media on your page. I look forward to connecting and being part of such a wonderful community. Blessings & Peace. Long live jazz!
Hi Nelson
Hope all is well with you
I'll be in Pgh soon..
My friend Sue just sent me this
had to share it with you...
need to laugh? This is great! :
"The Minutes Go Like Hours When You Sing"
Dave Tull singing and playing his song(He sounds great too.)
I certainly will. I wanted him to re-release his Christmas Album Open Pantry has Betters This Christmas. I have the original record, which I Remastered, to get a more Hi Fidelity sound, as that album was done in the sixties. I believe, his first Album, Harold Betters at The Encore,was done in 1960, and 2010, will be the 50th Anniversary of his first Album, which would make a great re-release of it for next year. A double DVD of the two would make a great package, maybe released through the Jazz Club. I remastered it on a couple of cassettes, which I sent to Harold awhile back. There is alot of History of the Jazz scene of the 50's & 60's in Pittsburgh, I feel should be brought out. The Basic reason I ran the First Jazz Festival, was to decide the question who was the best Trobonist in Pittsburgh? Harold, or Tommy Turk. Harold won the contest, of course Tommy wasn't to bad. Dr. if you E-mail me your address, I will send you some very interesting material and also some of the Live tapes I did of Harold in Pittsburgh, at the Pitt Pott, Haddon Hall, and south hills. I never recorded him at the Encore, because the acoustics were so bad. I have a original copy of the Nitelife Paper, The TOWN-CRIER Nov 17 1961, which I will send you.
Take 5
Jim Laughead
My name is Barbara James and I am a Pittsburgh Public School teacher. My cousin, 93 year old Joe Evans played with many of the greats including Billie Holliday, Jay McShann, Lionel Hampton, Cab Calloway, Charlie Parker, Bill Bojangles Robinson, and many others. Cousin Joe discovered, managed, wrote for, arranged, and produced for the Manhattans. He was also the owner of Carnival Records. He is still alive, has written a book titled, Follow Your Heart: Moving w/ the Giants of Jazz, Swing, and Rhythm and Blues and shares many stories about his days as an alto saxman. Thus, my interest in jazz.
Great playing with you last night. We should get together again before I leave for school. Also, do you think you could email the "Round Midnight" recording to me when you get a chance to?
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From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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I`ll be checking in often as I`ve already made some nice connections. Thanks again and keep slammin`.... Mad respect for you, IMANI
What a wonderful opportunity to connect with other jazz artists and fans. You have quite the outstanding list of accomplishments along with some excellent media on your page. I look forward to connecting and being part of such a wonderful community. Blessings & Peace. Long live jazz!
Hope you are well. Thanks for starting this swingin' network! Nice to meet friends on here.
I'll have to do my Billy Eckstein impression for you some day... ; )
Best,
Buster Maxwell
aka Dr. Vinnie Vegas
Talk soon,
Mitch
BLESSINGS
Hope all is well with you
I'll be in Pgh soon..
My friend Sue just sent me this
had to share it with you...
need to laugh? This is great! :
"The Minutes Go Like Hours When You Sing"
Dave Tull singing and playing his song(He sounds great too.)
Take 5
Jim Laughead
Great playing with you last night. We should get together again before I leave for school. Also, do you think you could email the "Round Midnight" recording to me when you get a chance to?
Frank
Hope to make music with you in the near future!
Peace & Blessings,
Lori