PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words

Pete Fountain, 86, Dies; Clarinetist Popularized Spirited New Orleans Jazz

Pete Fountain, 86, Dies; Clarinetist Popularized Spirited New Orleans Jazz

Pete Fountain, a clarinetist who brought the traditional jazz of his native New Orleans to a national audience through frequent appearances on the Lawrence Welk and Johnny Carson television shows, died on Saturday in New Orleans. He was 86.

The cause was heart failure, said Benny Harrell, Mr. Fountain’s son-in-law and manager.

Mr. Fountain was a mainstay of the New Orleans music scene for more than six decades, a familiar sight at Mardi Gras and the annual Jazz and Heritage Festival. And the appeal of his high-spirited brand of Dixieland stretched far beyond New Orleans, especially after he began appearing on “The Lawrence Welk Show” in 1957.

His outgoing musical style made an odd fit with the sedate “Champagne music” of Mr. Welk’s orchestra — Mr. Fountain often noted that Champagne and bourbon did not mix — but the combination was a hit with viewers, and his segments became a staple of the show. In later years he was also a frequent guest on Mr. Carson’s “Tonight Show.”

Peter Dewey Fountain Jr. was born in New Orleans on July 3, 1930, and was exposed from an early age to the lively small-group jazz that was an integral part of that city’s atmosphere. Inspired by Benny Goodman and the New Orleans clarinetist Irving Fazola — and by a family doctor who recommended that he learn a wind instrument to strengthen his weak lungs — he began playing clarinet at age 12. Before he was out of his teens, he had become a familiar presence in the nightclubs on Bourbon Street.

“When I was a high school senior, my history teacher asked me why I didn’t study more,” he wrote in 2001, in the notes of a CD anthology of his recordings from the 1950s and 1960s. “I answered that I was too busy playing clarinet every night, and when I told him I was making scale — about $125 a week — he said that was more than he made and I should play full time. I guess I was a professional from that point on.”

In 1950, after some local success as a sideman, Mr. Fountain formed his own band, the Basin Street Six, with the trumpeter George Girard. “We clowned around a lot with that group,” he recalled, “but most of the time we played good music.”

The Basin Street Six broke up in 1954, and he then worked briefly with the Dukes of Dixieland in Chicago before teaming with the trumpeter Al Hirt to lead a band that had a successful extended engagement at a New Orleans nightclub, Dan Levy’s Pier 600.

Photo
Pete Fountain at the New Orleans Jazz and Heritage Festival in 2009. He lived away from New Orleans for only two years. Credit Cheryl Gerber/Associated Press

A talent scout for Mr. Welk heard him there in 1957 and flew him to Los Angeles for the first of his many featured appearances on Mr. Welk’s popular ABC variety show. He soon moved to Los Angeles, but he moved back home after two years. It was the only time in his life that he was away from the New Orleans area for a significant period.

While living in Los Angeles, Mr. Fountain began a long association with Coral Records. Most of his albums for the label were closer to instrumental pop than to traditional jazz, and the critics were unimpressed, but sales were healthy.

He is survived by his wife, Beverly; a daughter, Darah Fountain Harrell; two sons, Kevin and Jeffery; a sister, Del Materne, six grandchildren; and five great-grandchildren.

In 1960, shortly after returning to New Orleans, Mr. Fountain bought a local nightclub, the French Quarter Inn, and began a residency there with a small group. Eight years later, he opened a larger room on Bourbon Street, Pete’s Place. The club moved to the New Orleans Hilton (now the Hilton New Orleans Riverside) in 1977 and remained in business until he reluctantly shuttered it in 2003, citing a decline in tourism after the terrorist attacks of Sept. 11, 2001.

“I needed a change. I didn’t want it, but I needed it,” he told The Advocate, a newspaper in Baton Rouge, La. “It’s been a real good ride, and we’ve still got a lot of riding to do.” He continued to perform regularly at a casino in nearby Bay St. Louis, Miss., for many years.

Mr. Fountain struggled to get his life and career in order after Hurricane Katrina in 2005. The roof was blown off his house in New Orleans; a second house, in Bay St. Louis, was destroyed. Most of his possessions were lost. Over the next year and a half, by his estimate, he moved eight times.

He was hospitalized shortly after the hurricane, complaining of dizziness and other symptoms. He later told The Associated Press that doctors could find nothing physically wrong with him, and he attributed his illness to “depression about all the stuff that happened.”

His health problems caused Mr. Fountain to miss Mardi Gras in 2006; it was the first time in 46 years that his whimsically named Half-Fast Walking Club participated in the festivities without him. Shortly afterward, he suffered a heart attack and underwent quadruple bypass surgery. But he was well enough to perform at the Jazz and Heritage Festival that May (his cardiologist was in attendance in case of an emergency), and despite continuing health problems, he remained a mainstay of that festival, and of the city itself, until 2013.

His performance at the 2013 Jazz and Heritage Festival turned out to be his swan song. “Last year was his last public performance,” Mr. Harrell announced shortly before the 2014 festival. “He’s fully retired now.”

Correction: August 10, 2016

An obituary on Monday, and in some editions on Sunday, about the jazz clarinetist Pete Fountain misstated the name of the hotel that housed his nightclub from 1977 to 2003. It is the Hilton New Orleans Riverside (originally the New Orleans Hilton), not the Hotel Riverside. The obituary, in some copies on Sunday, also misstated part of the name of a group Mr. Fountain led at Mardi Gras for many years. It is the Half-Fast Walking Club, not the Half-Fast Marching Club.

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