Praise song for a newly minted ancestor Paul Carter Harrison (1936-2021) - Pittsburgh Jazz Network2024-03-28T16:51:47Zhttps://jazzburgher.ning.com/forum/topics/praise-song-for-a-newly-minted-ancestor-paul-carter-harrison-1936?groupUrl=obituaries&xg_source=activity&feed=yes&xn_auth=noHARRISON, PAUL CARTER, 1936-P…tag:jazzburgher.ning.com,2022-01-10:1992552:Comment:5537022022-01-10T20:50:12.963ZDr. Nelson Harrisonhttps://jazzburgher.ning.com/profile/NelsonHarrison
<p>HARRISON, PAUL CARTER, 1936-<br></br>Paul Carter Harrison papers, 1939-2016<br></br>Emory University<br></br>Stuart A. Rose Manuscript, Archives, and Rare Book Library<br></br>Atlanta, GA 30322<br></br>404-727-6887<br></br>rose.library@emory.edu<br></br>Collection Stored Off-Site<br></br>All or portions of this collection are housed off-site. Materials<br></br>can still be requested but researchers should expect a delay of<br></br>up to two business days for retrieval.<br></br>Descriptive Summary<br></br>Creator: Harrison, Paul Carter,…</p>
<p>HARRISON, PAUL CARTER, 1936-<br/>Paul Carter Harrison papers, 1939-2016<br/>Emory University<br/>Stuart A. Rose Manuscript, Archives, and Rare Book Library<br/>Atlanta, GA 30322<br/>404-727-6887<br/>rose.library@emory.edu<br/>Collection Stored Off-Site<br/>All or portions of this collection are housed off-site. Materials<br/>can still be requested but researchers should expect a delay of<br/>up to two business days for retrieval.<br/>Descriptive Summary<br/>Creator: Harrison, Paul Carter, 1936-<br/>Title: Paul Carter Harrison papers, 1939-2016<br/>Call Number: Manuscript Collection No. 1149<br/>Extent: 30 linear feet (60 boxes), 2 oversized papers boxes (OP), 2 bound volumes<br/>(BV), A/V Masters: 2.5 linear ft., and 1.66 GB born digital material (2,819<br/>files)<br/>Abstract: Papers of African American playwright and scholar Paul Carter Harrison,<br/>including correspondence; play scripts, books and other writings by<br/>Harrison; subject files; writings by others; printed material; photographs; and<br/>audiovisual and born digital material.<br/>Language: Materials primarily in English with some material in Dutch.<br/>Administrative Information<br/>Restrictions on Access<br/>Special restrictions apply: Use copies of audiovisual material in this collection have not been<br/>made at this time. Researchers must contact the Rose Library at least two weeks in advance to<br/>access this material. Collection restrictions, copyright limitations, or technical complications<br/>may hinder the Rose Library's ability to provide access to audiovisual material.<br/>Access to processed born digital materials is only available in the Stuart A. Rose Manuscript,<br/>Archives, and Rare Book Library (the Rose Library). Use of the original digital media is<br/>restricted.<br/>Collection stored off-site. Researchers must contact the Rose Library in advance to access this<br/>collection.<br/>Paul Carter Harrison papers, 1939-2016 Manuscript Collection No. 1149<br/>2<br/>Terms Governing Use and Reproduction<br/>Printed or manuscript music in this collection that is still under copyright protection and is not in<br/>the Public Domain may not be photocopied or photographed. Researchers must provide written<br/>authorization from the copyright holder to request copies of these materials.<br/>Source<br/>Gift, 2010.<br/>Citation<br/>[after identification of item(s)], Paul Carter Harrison papers, Stuart A. Rose Manuscript,<br/>Archives, and Rare Book Library, Emory University.<br/>Processing<br/>Processed by Sarah Quigley, Margaret Greaves, and Ingrid Meintjes, April 2014.<br/>Born digital materials processed, arranged, and described by Brenna Edwards, 2020. Born digital<br/>materials include files taken from 16 optical discs. For information as to how these materials<br/>were processed, see the processing note in the description of series 8, Born digital material.<br/>This finding aid may include language that is offensive or harmful. Please refer to the Rose<br/>Library's harmful language statement for more information about why such language may appear<br/>and ongoing efforts to remediate racist, ableist, sexist, homophobic, euphemistic and other<br/>oppressive language. If you are concerned about language used in this finding aid, please contact<br/>us at rose.library@emory.edu.<br/>Collection Description<br/>Biographical Note<br/>Paul Carter Harrison, African American playwright, director, and scholar, was born on March<br/>1, 1936 in New York City, New York, to Thelma Inez and Paul Randolph Harrison. In 1957,<br/>Harrison earned a Bachelor of Arts in psychology from Indiana University in Bloomington,<br/>Indiana, and after moving back to New York, earned a Master of Arts in psychology and<br/>phenomenology from the New School for Social Research in 1962. Following graduate school,<br/>Harrison moved to Amsterdam, Netherlands, where he lived for seven years and became active<br/>in the arts, staging readings by black poets and writing for television and the theater. During<br/>a visit to America, Harrison witnessed the 1964 Harlem riots, which significantly influenced<br/>Tabernacle (1965), his first full-length play. Harrison is the author of numerous other plays,<br/>including The Great MacDaddy, which won an Obie Award (Off-Broadway Theater Award<br/>bestowed by The Village Voice) in 1974.<br/>Harrison’s work often combines elements of African mythology and ritual with American<br/>traditions such as jazz to highlight unique elements of African American culture and history.<br/>Plays such as Tophat and Pavane for a Dead-Pan Minstrel have also explored traditional racial<br/>and gender roles by depicting characters who trade races or exhibit non-traditional gender<br/>behaviors. Harrison’s work also experiments with closing the distance between audience and<br/>performers in productions such as Tabernacle, which casts the audience as the congregation<br/>of a church service lead by the main character, and his direction of Melvin Van Peebles’ Ain’t<br/>Paul Carter Harrison papers, 1939-2016 Manuscript Collection No. 1149<br/>3<br/>Supposed to Die a Natural Death (1970), which planted in the audience actors dressed as street<br/>people, drunks, and prostitutes to interact with theater-goers.<br/>Harrison is also a scholar and professor. After returning to live in the United States, he took the<br/>position of assistant professor in theater arts at Howard University from 1968-1970. He went on<br/>to teach theater arts and African American studies at several universities, including California<br/>State University, Sacramento; University of Massachusetts at Amherst; and Columbia College in<br/>Chicago. Harrison retired from Columbia College in 2002 and is now Professor Emeritus there.<br/>He has published several monographs and edited works on black theater, including The Drama<br/>of Nommo: Black Theater in the African Continuum (1972), Kuntu Drama: Plays of the African<br/>Continuum (1974), and Totem Voices: Plays from the Black World Repertory (1988).<br/>Scope and Content Note<br/>The collection consists of the papers of Paul Carter Harrison from 1939-2016, including<br/>correspondence and personal papers, writings by Harrison and others, subject files, printed<br/>material, photographs and audiovisual material. The collection documents Harrison’s numerous<br/>professional roles as playwright, director, producer, screenwriter, scholar, and professor, as well<br/>as his many collaborations with other artists, including composers and musicians such as Buster<br/>Davis, Julius Hemphill, T.S. Galloway, and Clyde S. Batton, as well as writer Odie Hawkins<br/>and director Gilbert Moses. Correspondence in the collection is both personal and professional<br/>in nature and includes letters between Harrison and his daughter Fonteyn Harrison and his<br/>previous wives: Dutch actress Ria Vroemen and author Carla van Splunteren. Also included are<br/>letters between Harrison and artists in theater and film such as Pearl Cleage, Gilbert Moses, and<br/>Sheldon Patinkin as well as correspondence with publishing houses and theater organizations<br/>such as the Negro Ensemble Company. Personal papers contain financial and legal documents,<br/>playwright and commission agreements, and service and production contracts for multiple<br/>projects.<br/>Writings by Harrison contain typescript drafts, synopses, notes, and performance files of<br/>Harrison’s plays, musicals, and operas as well as manuscript and printed scores and sheet music<br/>for various performances. Also present are typescripts, synopses, and treatments for Harrison’s<br/>screenplays, including works such as Lord Shango (1975), Youngblood (1978), and A Change<br/>is Gonna Come, an unproduced biopic about musician Sam Cooke. Writings by Harrison also<br/>contains a small number of teleplay typescripts for the programs Getting to Know Me (1980)<br/>and Uptown Strutter’s Ball (unproduced). Other writings by Harrison primarily include drafts<br/>of Harrison’s articles, essays and reviews concerning race and the black theater. Books and<br/>compilations written by Harrison include his unpublished novel One Anonymous Mourning and<br/>a collection of short stories, as well his book-length work of collected essays, The Drama of<br/>Nommo. A significant amount of material also pertains to two volumes Harrison compiled and<br/>edited: Black Theatre: Ritual Performance in the African Diaspora and Totem Voices: Plays<br/>from the Black World Repertory.<br/>Writings by others include articles and essays about Harrison and works directed or produced<br/>by Harrison, as well as plays, essays, musicals, reviews, and poetry sent to and collected by<br/>Harrison. Of particular interest are essays by Amiri Baraka and Ed Bullins as well as a typescript<br/>of August Wilson’s play Jitney. Subject files contain material on subjects of personal and<br/>professional interest to Harrison primarily relating to African American theater and the arts;<br/>Paul Carter Harrison papers, 1939-2016 Manuscript Collection No. 1149<br/>4<br/>project and grant proposal files relating to Harrison’s writings and black theatre; and teaching<br/>files containing syllabi, course notes, and other teaching material. Printed material includes<br/>reprints of published articles and plays written by Harrison as well as published articles,<br/>interviews, reviews, and event programs about Harrison. A notable collection of newspaper<br/>clippings from the 1960s are articles by and about Harrison from the Dutch newspaper De<br/>Nieuwe Linie with a few from the now defunct Algemeen Handelsblad. Other printed material<br/>includes articles, book chapters, publications, and other newspaper clippings collected by<br/>Harrison.<br/>Photographs contain images of Harrison, Laurence Fishburne, Roscoe Lee Brown, Oliver Lee<br/>Jackson, Salome Jens, Duane Jones, Melba Moore, Larry Neal, and Charles (Chuck) Stewart,<br/>as well as Harrison’s parents Paul Harrison and Thelma Harrison and his daughter Fontayne<br/>Thelma Harrison. There are also photographs of productions of Doxology Opera, Pavane<br/>for a Dead-Pan Minstrel, and photographs taken by Bert Andrews, Adger W. Cowans and<br/>Joseph Mehling. Audiovisual material contains sound, video, and film recordings of Paul Carter<br/>Harrison’s theatre productions, as well as recordings of conferences and seminars that Harrison<br/>attended such as the Black Arts Seminar at Howard University in 1970, the National Black<br/>Theater Summit "On Golden Pond" in 1998, and the ETA Creative Arts Foundation Playwrights<br/>Discovery/Development Initiative from 1992-1998.<br/>Arrangement Note<br/>Organized into eight series: (1) Correspondence and personal papers, (2) Writings by Harrison,<br/>(3) Writings by others (4) Subject files, (5) Printed material, (6) Photographs, (7) Audiovisual<br/>material, and (8) Born digital material.<br/>Paul Carter Harrison papers, 1939-2016 Manuscript Collection No. 1149<br/>5<br/>Description of Series<br/>Series 1: Correspondence and personal papers, 1953-2016<br/>Series 2: Writings by Harrison, 1963-2014<br/>Subseries 2.1: Scripts, 1963-2014<br/>Subseries 2.2: Other writings, 1966-2009<br/>Series 3: Writings by others, 1971-2012<br/>Series 4: Subject files, 1967-2012<br/>Series 5: Printed material, 1946-2014<br/>Series 6: Photographs, 1939-2004<br/>Series 7: Audiovisual material, 1965-2007<br/>Series 8: Born digital material, 1994-200</p> Paul Carter Harrison
From Wik…tag:jazzburgher.ning.com,2022-01-10:1992552:Comment:5535982022-01-10T20:46:17.356ZDr. Nelson Harrisonhttps://jazzburgher.ning.com/profile/NelsonHarrison
<h1 class="firstHeading mw-first-heading" id="firstHeading">Paul Carter Harrison</h1>
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<h1 id="firstHeading" class="firstHeading mw-first-heading">Paul Carter Harrison</h1>
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<div id="mw-content-text" class="mw-body-content mw-content-ltr" lang="en" dir="ltr" xml:lang="en"><div class="mw-parser-output"><p><b>Paul Carter Harrison</b><span> </span>(born March 1, 1936) is an<span> </span><a href="https://en.wikipedia.org/wiki/United_States" title="United States">American</a><span> </span><a href="https://en.wikipedia.org/wiki/Playwright" title="Playwright">playwright</a><span> </span>and<span> </span><a href="https://en.wikipedia.org/wiki/Professor" title="Professor">professor</a>.</p>
<div id="toc" class="toc"><div class="toctitle" lang="en" dir="ltr" xml:lang="en"><h2 id="mw-toc-heading">Contents</h2>
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<ul>
<li class="toclevel-1 tocsection-1"><a href="https://en.wikipedia.org/wiki/Paul_Carter_Harrison#Biography"><span class="tocnumber">1</span><span class="toctext">Biography</span></a></li>
<li class="toclevel-1 tocsection-2"><a href="https://en.wikipedia.org/wiki/Paul_Carter_Harrison#Young_Life"><span class="tocnumber">2</span><span class="toctext">Young Life</span></a></li>
<li class="toclevel-1 tocsection-3"><a href="https://en.wikipedia.org/wiki/Paul_Carter_Harrison#Europe"><span class="tocnumber">3</span><span class="toctext">Europe</span></a></li>
<li class="toclevel-1 tocsection-4"><a href="https://en.wikipedia.org/wiki/Paul_Carter_Harrison#Accomplishments"><span class="tocnumber">4</span><span class="toctext">Accomplishments</span></a></li>
<li class="toclevel-1 tocsection-5"><a href="https://en.wikipedia.org/wiki/Paul_Carter_Harrison#Bibliography"><span class="tocnumber">5</span><span class="toctext">Bibliography</span></a></li>
<li class="toclevel-1 tocsection-6"><a href="https://en.wikipedia.org/wiki/Paul_Carter_Harrison#External_links"><span class="tocnumber">6</span><span class="toctext">External links</span></a></li>
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<h2><span class="mw-headline" id="Biography">Biography</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="https://en.wikipedia.org/w/index.php?title=Paul_Carter_Harrison&action=edit&section=1&editintro=Template:BLP_editintro" title="Edit section: Biography">edit source</a><span class="mw-editsection-bracket">]</span></span></h2>
<p>Born in<span> </span><a href="https://en.wikipedia.org/wiki/New_York_City" title="New York City">New York City</a>, Harrison earned a<span> </span><a href="https://en.wikipedia.org/wiki/Bachelor_of_Arts" title="Bachelor of Arts">B.A.</a><span> </span>in<span> </span><a href="https://en.wikipedia.org/wiki/Psychology" title="Psychology">psychology</a><span> </span>from<span> </span><a href="https://en.wikipedia.org/wiki/Indiana_University" title="Indiana University">Indiana University</a><span> </span>in 1957. Harrison earned an<span> </span><a href="https://en.wikipedia.org/wiki/Master_of_Arts" title="Master of Arts">M.A.</a><span> </span>in psychology and<span> </span><a href="https://en.wikipedia.org/wiki/Phenomenology_(psychology)" title="Phenomenology (psychology)">phenomenology</a><span> </span>from New York City's<span> </span><a href="https://en.wikipedia.org/wiki/New_School_for_Social_Research" class="mw-redirect" title="New School for Social Research">New School for Social Research</a><span> </span>in 1962. He then went to live in Europe to write and direct for the theater.</p>
<p>Harrison taught theater at<span> </span><a href="https://en.wikipedia.org/wiki/Howard_University" title="Howard University">Howard University</a><span> </span>from 1968 to 1970. His students included<span> </span><a href="https://en.wikipedia.org/wiki/Phylicia_Rashad" title="Phylicia Rashad">Phylicia Rashad</a>,<span> </span><a href="https://en.wikipedia.org/wiki/Debbie_Allen" title="Debbie Allen">Debbie Allen</a>,<span> </span><a href="https://en.wikipedia.org/wiki/Linda_Goss" title="Linda Goss">Linda Goss</a>,<span> </span><a href="https://en.wikipedia.org/wiki/Pearl_Cleage" title="Pearl Cleage">Pearl Cleage</a><span> </span>and Clinton Turner Davis.</p>
<p>While teaching at California State University, Sacramento (1970–1972), Harrison conceived and directed Melvin Van Peebles' "Ain't Supposed To Die a Natural Death" prior to its Broadway production, and wrote his play<span> </span><i>The Great MacDaddy</i><span> </span>which was produced by the<span> </span><a href="https://en.wikipedia.org/wiki/Negro_Ensemble_Company" title="Negro Ensemble Company">Negro Ensemble Company</a><span> </span>in 1973, and won an<span> </span><a href="https://en.wikipedia.org/wiki/Obie_Award" title="Obie Award">Obie Award</a>.</p>
<p>Harrison taught at the<span> </span><a href="https://en.wikipedia.org/wiki/University_of_Massachusetts_Amherst" title="University of Massachusetts Amherst">University of Massachusetts Amherst</a><span> </span>from 1972 to 1976 before moving on to Columbia College Chicago in 1976 to work as Chair, Professor, and Writer in Residence at the Theatre Department until his retirement in 2002. He is currently Professor Emeritus.</p>
<h2><span class="mw-headline" id="Young_Life">Young Life</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="https://en.wikipedia.org/w/index.php?title=Paul_Carter_Harrison&action=edit&section=2&editintro=Template:BLP_editintro" title="Edit section: Young Life">edit source</a><span class="mw-editsection-bracket">]</span></span></h2>
<p>Paul Carter Harrison is an African American man born on March 1, 1936 to Thelma Inez and Paul Randolph Harrison whom were born in North and South Carolina but raised in New York City. His brother, Kenneth Allen Harrison was the first black basketball player on scholarship at Villanova University. Harrison attended Commerce High School and graduated in 1952. While attending New York University, Harrison was introduced to many writers and theater artists such as Lou Gossett, Jr., Billy Dee Williams, Amiri Baraka (LeRoi Jones), and Ted Joans. He transferred to Indiana University where he interacted with musicians such as Freddie Hubbard, Larry Ridley, and David Baker.</p>
<h2><span class="mw-headline" id="Europe">Europe</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="https://en.wikipedia.org/w/index.php?title=Paul_Carter_Harrison&action=edit&section=3&editintro=Template:BLP_editintro" title="Edit section: Europe">edit source</a><span class="mw-editsection-bracket">]</span></span></h2>
<p>After graduating from the New School, Harrison went to Spain and the Netherlands for seven years where he worked on his writing and theatre skills. During his time out of the country he wrote a movie called “Stranger On The Square”. His first book of edited essays "The Modern Drama Footnote", was published in Amsterdam, as well as his plays, "Pavane for a Deadpan Minstrel" and "Tophat". Other plays written, performed and directed in the Netherlands included, "The Post Clerks" and “The Experimental Leader”, the latter becoming the center piece for his book commonly known as “Dialogue from the Opposition”. However, since the English version of this work isn't available the title "Dialogue from the Opposition" seems to be a rather tame re-translation of its Dutch version's title. The Dutch publication is named "Dialoog van het verzet" which is more accurately translated as "Dialogue of (the) resistance/rebellion". The original English title as it was written by Harrison is noted in the book by Dutch translators (friend of Harrison: H.J.A. Hofland and, Carla van Splunteren) as "A Rebel's Dialogue". While living in Amsterdam, Harrison married the Dutch actress, Ria Vroemen who gave birth to his daughter, Fonteyn in 1963.</p>
<h2><span class="mw-headline" id="Accomplishments">Accomplishments</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="https://en.wikipedia.org/w/index.php?title=Paul_Carter_Harrison&action=edit&section=4&editintro=Template:BLP_editintro" title="Edit section: Accomplishments">edit source</a><span class="mw-editsection-bracket">]</span></span></h2>
<p>On August 6 of 1988, Paul Carter Harrison married his wife, Wanda Malone. Harrison's work as a playwright and theatre theorist has been published and produced in Europe and the United States, causing him to win awards for his work. His play, “Great Macdaddy” won an Obie Award and “Tabernacle” won the Audelco Award for Best Creative Musical. He also has written and edited many other plays, anthologies, and books that involved theatre and jazz performers. “The Drama of Nommo” is a book he wrote, which is a collection of essays that identified African retentions in the aesthetic of African American culture and has helped many directors in the Black Theatre practice. Harrison is known for coming up with terms such as “Nommo” and Mother/Word” as constructive references for Black Theatre. His most recent book, “Black Theatre: Ritual Performance in the African Diaspora”, was published in the Spring of 2002. His most current task was writing the libretto for "Doxology Opera: the Doxy Canticles", a full-length opera composed by<span> </span><a href="https://en.wikipedia.org/wiki/Wendell_Logan" title="Wendell Logan">Wendell Logan</a><span> </span>which was premiered in a concert version at the Chicago Museum of Contemporary Art in 2002. He has also written the text for the operetta, "Goree Crossing" with music by Olu Dara that was also given a concert performance at the Museum of Science and Industry in Chicago. As Dramaturg for the ETA Theatre in Chicago, Harrison developed Marcia Leslie's highly successful play, "The Trial of One Short-sighte Black Woman vs Mammie Louise and Safreeta Mae". His most recent conceptualization and direction is "Sweet Thunder: the Billie Strayhorn Story" which has been performed at the Phoenix Black Theatre Troupe and the<span> </span><a href="https://en.wikipedia.org/wiki/Kuntu_Repertory_Theatre" title="Kuntu Repertory Theatre">Kuntu Repertory Theatre</a><span> </span>in<span> </span><a href="https://en.wikipedia.org/wiki/Pittsburgh,_Pennsylvania" class="mw-redirect" title="Pittsburgh, Pennsylvania">Pittsburgh</a>. He is currently living in New York City and continues to travel to Spain every year with his daughter.</p>
<h2><span class="mw-headline" id="Bibliography">Bibliography</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="https://en.wikipedia.org/w/index.php?title=Paul_Carter_Harrison&action=edit&section=5&editintro=Template:BLP_editintro" title="Edit section: Bibliography">edit source</a><span class="mw-editsection-bracket">]</span></span></h2>
<ul>
<li><i>The Drama of Nommo and Totem Voices: Plays From the Black World Repertory</i><span> </span>(1972)<span> </span><a href="https://en.wikipedia.org/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="https://en.wikipedia.org/wiki/Special:BookSources/978-0-8021-3126-3" title="Special:BookSources/978-0-8021-3126-3">978-0-8021-3126-3</a></li>
<li><i>Kuntu Drama: Plays of the African Continuum</i><span> </span>(1974)<span> </span><a href="https://en.wikipedia.org/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="https://en.wikipedia.org/wiki/Special:BookSources/978-0-394-17806-6" title="Special:BookSources/978-0-394-17806-6">978-0-394-17806-6</a></li>
<li><i>Black Light: The African American Hero</i><span> </span>(1993)<span> </span><a href="https://en.wikipedia.org/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="https://en.wikipedia.org/wiki/Special:BookSources/978-1-56025-060-9" title="Special:BookSources/978-1-56025-060-9">978-1-56025-060-9</a></li>
<li><i>Classic Plays from the Negro Ensemble Company</i><span> </span>(1995)<span> </span><a href="https://en.wikipedia.org/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="https://en.wikipedia.org/wiki/Special:BookSources/978-0-8229-5560-3" title="Special:BookSources/978-0-8229-5560-3">978-0-8229-5560-3</a></li>
<li><i>Black Theatre: Ritual Performance in the African Diaspora</i><span> </span>(2002)<span> </span><a href="https://en.wikipedia.org/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="https://en.wikipedia.org/wiki/Special:BookSources/978-1-56639-944-9" title="Special:BookSources/978-1-56639-944-9">978-1-56639-944-9</a></li>
</ul>
<h2><span class="mw-headline" id="External_links">External links</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="https://en.wikipedia.org/w/index.php?title=Paul_Carter_Harrison&action=edit&section=6&editintro=Template:BLP_editintro" title="Edit section: External links">edit source</a><span class="mw-editsection-bracket">]</span></span></h2>
<ul>
<li><a rel="nofollow" class="external text" href="https://www.imdb.com/name/nm0365805/">Paul Carter Harrison</a><span> </span>at<span> </span><a href="https://en.wikipedia.org/wiki/IMDb" title="IMDb">IMDb</a></li>
<li><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.thehistorymakers.com/biography/biography.asp?bioindex=824&category=artMakers">"Paul Carter Harrison Biography"</a>.</cite></li>
<li><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.bibliovault.org/BV.book.epl?BookId=3502">"BiblioVault - Black theatre: ritual performance in the African diaspora"</a>.</cite></li>
<li><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.udel.edu/PR/UpDate/02/4/lecture.html">"Lecture, receptions to mark opening of exhibit"</a>.</cite></li>
<li><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.chimpanzeeproductions.com/about.html">"Chimpanzee Production"</a>.</cite></li>
<li><a rel="nofollow" class="external text" href="https://rose.library.emory.edu/">Stuart A. Rose Manuscript, Archives, and Rare Book Library</a>, Emory University:<span> </span><a rel="nofollow" class="external text" href="http://pid.emory.edu/ark:/25593/8zdjn">Paul Carter Harrison papers, 1939-2016</a></li>
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