From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlanto Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
I am quitting my job on December 11. If you can "hook me up" with a decent paying gig outside of the U.S. I'm interested. The China gig just wasn't enough "bread". C U around. Oh, I am performing at Little E's on Friday, Nov. 20. If you aren't busy, drop by and bring your axe.
Hey Andy, just wanted to say thanks for filling in for us last Thurs. and I'm sorry I couldn't stay to check you out. Skip said you played your butt off!
Donna
Dude fur real. Dem Cellonies Rolls and Miracle whip wit chip ham is SO Good. I will be sure to get yin up ere to does some gigs n'at. Call me to come Daun burgh to play some jams!, I need to get some a dat Pasta Too Dude! fur real!
Andy,
I have a jam session in New Kensington on March 25th from 8 to 12 and was wondering if you were available to play---$75.00. It would be myself, lary Mckluskey on drums and you. We will just be playing tunes and playing for whom ever stops in.
Get back to me as soon as possible. 412-973-1105
At 1:38am on February 27, 2009, Jerry Butler said…
I would love to feature "you" as my guest on my show..If I am not your friend..please add me...also please call me @ the offc at 757 538 3540...757 971 3733 for details...click on the banner below to be a guest...JB
WOOOOOOOOOOOHHHHHHHH!!!! Really? That blows, big time, And ,is really good for all of us back home. So, I'm gonna see you in like 2-3 weeks? Cool! Can't wait to play!!!
Alex
Hi Andy, I think I sat in with you one night at Howie,s Jam session in East Liberty about a month ago. I enjoyed playing along with you. I made a mistake on the home page and hit the decline box instead of the accept box. Please accept my apology. sincerely Roger Barbour
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From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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I am quitting my job on December 11. If you can "hook me up" with a decent paying gig outside of the U.S. I'm interested. The China gig just wasn't enough "bread". C U around. Oh, I am performing at Little E's on Friday, Nov. 20. If you aren't busy, drop by and bring your axe.
Donna
I have a jam session in New Kensington on March 25th from 8 to 12 and was wondering if you were available to play---$75.00. It would be myself, lary Mckluskey on drums and you. We will just be playing tunes and playing for whom ever stops in.
Get back to me as soon as possible. 412-973-1105
Kennard
Alex
With warmest regards,
Tony
Nice music bro...........see ya soon.
Sean
Thanks
Curtis
IS HE FRIENDS WITH JACK BERTONI???