From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlanto Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
JM, The Ooh Baby Pamoja is not the same group. The Pgh, Pamoja began in Homewood with brothers Butch (guitar) and Michael (bass) and drummer Alvin Owens they added horns and percussion. The original name was "Upendo Ni Pamoja" (not to be confused with the 1971 Ramsey Lewis recording). They later merged with another band "Rah Herb" and formed Pyrymyd. They released 'Earthquake Shake' which got some airplay in Pgh then moved to LA in the late 70's hoping to make it big. Check Youtube there are a few of their cuts there.
What up J. yea, those bands were poppin when I was in the Bugh. I actually played in a couple of them and had friends in a few others. Those were the good old days. I'm looking for an excuse to get back home, I don't have any more family there so it's a little more difficult. I definitely would like to check out the scene now or even get my current band booked in Pgh.
I´d really appreciate it if you could take the time to look at my work and leave your impressions here or in the guestbook on my homepage- http://www.freewebs.com/miartemartagracielabressi- where there are more samples of my digital art works, engravings and sculptures. The web site´s in Spanish but, if you want to read the texts in English, you can access my Livejournal:
I would love to feature "you" as my guest on my show..If I am not your friend..please add me...also please call me @ the offc at 757 538 3540...757 971 3733 for details...click on the banner below to be a guest...JB
they are so much nicer than the ones with the flash- you must have a pretty steady hand !
maybe i'll have to rethink whether i want to buy a digital or film camera.... i've always liked the old film style, but i see your point!
keep up the good work! :)