From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlanto Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
PEACE Brother Howie I hope you and the family are doing well. Check it out, I just finished writing a book called Multidimensions of Love and I want you to be a proof reader. PLEASE hit me back . cell 8182560586
PEACE Howie this is Charles Lumpkins extending to much love and respect in you dilligence and commitment at AAMI. I have been hearing great things about you. Thank you for continuing the AAMI Jazz Lab experience for the youth it is a diamond in the ruff! Please show some love to Remelle and Tommy Lumpkins when the return to AAMI for the 2011 Father's Day Celebration eith the AAMI Boy's Choir. PEACE Charles Lumpkins
I would love to feature "you" as my guest on my show..If I am not your friend..please add me...also please call me @ the offc at 757 538 3540...757 971 3733 for details...click on the banner below to be a guest...JB
It was a pleasure hearing you in July at the shadow Lounge. It was a blast for me to step up and poem with you guys on those 2 Monday evenings.
Keep the Beat on the Pulse of Life!
Howie, your response to Bob Karlovitz' nonsense that he called a critique was beautiful. I so wished I had seen that grouping of masters. Hopefully the cultural trust(or someone else) will do something like it in the near future and maybe a paper could get someone who knows something about jazz to cover it
Hi! I have a question about a couple songs from the session last night..... what was the song that you played that James was singing on? A few of us were trying to figure it out. Also, did you play "better than anything" before the break? Just wondering....
Enjoyed your session - as always!