Pain Relief Beyond Belief





From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.


Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?


Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.


For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.


Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.






Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin



       In Her Own Words

Chuck Edwards w/ Joe Westray Organ Combo "Nothings Like A True Love"

Very interesting record by popular Pittsburgh guitarist from Canonsburg, PA, Chuck Edwards. Edwards self-released a number of singles on his own Rene Records...

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Comment by SOUTHSIDE JERRY MELLIX on June 8, 2015 at 3:39pm

Thanks for sharing.  I can hear that "BULL FIGHT" guitar in this track....LOL  We ('LITTLE WILLIE BECK & THE CROSSFIRES') use to go see Chuck play when ever we could.  We played his "BULL FIGHT" on every gig.  And we were always trying to get in to Westray's Plaza and sit in on Joe or Sugarcane. 

Comment by Dr. Nelson Harrison on June 8, 2015 at 8:18am

Yes Rich.  I played the Street Dance with Joe a couple of times.  I wish I could find some photos of it.

Comment by Pgh Rich on June 8, 2015 at 6:42am

Joe Westray would play at the Street Dance on 4th of July at A Leo Wile School  again this take me back

Comment by Dr. Nelson Harrison on June 8, 2015 at 3:04am

Yes Tony.we were so fortunate to be witnesses.  You could be right that it was the first line dance.

Comment by Anthony (Tony) Janflone on June 8, 2015 at 2:37am

I saw Chuck Edwards when I was in high school at a bar in North Side. The Bullfight was the first line dance. Saw it with my own eyes!!

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