Pittsburgh's Own Regional Notables of Jazz
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PITTSBURGH JAZZ
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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INTERVIEW
Jazz Appreciation
The neo-Hot Club movement is dedicated to promoting Jazz listening and appreciation through group listening, via the 78 rpm format (think book club concept). Recently, I attended a meeting in Williamsburg, Brooklyn, curated by young Matthew Rivera, a senior at Columbia University. His topic was the music of Pittsburgh great, Earl Hines. The audience was young (SURPRISE!), and exhibited an enthusiasm and understanding that music is not old or new, but in the present. Louis Armstrong's 1928 recording of "A Monday Date", followed by Jimmie Noone's version, both with Hines, were huge hits. Armstrong's "Weather Bird" and the articulate Hines accompaniment, was met with awe.
The young audience, marveling at Earl Hines' creativity is aware of Jazz, through the efforts of Phil Schaap and WKCR. Establishing a young audience is the future of Jazz. Please support the future by tuning-in.
Tuesday, January 30th, is the 107th birthday of Pittsburgh's "Little Jazz", Roy Eldridge. WKCR will celebrate his music for 24 hours, NON STOP! The programming is geared to initiate the uninitiated and enhance the understanding of the Jazz expert. Finally, it's ROY ELDRIDGE and what could be better?
Join Phil on Tuesday, 1/30 from 1:00 to 6:00 (EST), immediately followed by young Matthew Rivera.
Tune-in via the internet WKCR.org:
https://www.cc-seas.columbia.edu/wkcr/
Click upper right corner "Listen"
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