PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words

Jazz Poetry Month: Tom Rainey Trio

Event Details

Jazz Poetry Month: Tom Rainey Trio

Time: September 7, 2017 from 7pm to 9pm
Location: Free Concert
Street: 40 W. North Ave
City/Town: Pittsburgh
Website or Map: http://www.alphabetcity.org/e…
Phone: 4124351110
Event Type: free, concert
Organized By: City of Asylum/Pittsburgh
Latest Activity: Aug 4, 2017

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Event Description

Join us for an evening of jazz with the Tom Rainey Trio!

While Rainey’s evocative, time-morphing and occasionally implosive drumming plays a central role in the musical materiality here, his trio is very much an integrated ensemble.  The commanding component parts are critical to the vibe and behavioral manner and conversational of the whole.  Laubrock is a saxophonist of unusual textural sensitivity and intellectual savvy, who can summon up proper deposits of abandon, knowing restraint and sly references to jazz’ past in the midst of her purely improvisational explorations.  Halvorson, one of the important “avant-jazz” guitarists of her generation, takes the abstracting and deconstructionist influence of, say, Derek Bailey into account in her playing, but has come up with her own way of melding that free-styling painterliness with shards of line and sonics – including tasteful deployment of effects units, a well-placed vibrato effect, ring modulation or distortion blast adding to the range and contemporary relevance of what she does.  Together, they make a refreshing new and not -sentimental kind of beautiful music.

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