PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 31 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

  

                                                       

 

THE STRONG CARD

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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Sharon City Blues Festival Sharon Blues Fest - Blues Back at the Sugar Shack. at Gounnds of Quaker Steak & Lube, downtown Sharon

September 10, 2016 from 1pm to 3pm
Sharon Blues FestivalThe seventh annual Sharon City Blues Festival will be held tomorrow, (9.10) on the grounds of the Quaker Steak & Lube, from 11 a.m. to 10 p.m..  And it's free.The famous Blues Orphans full band will make their first appearance this year at 1 pm.  Be there or be square.See More
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BLUES ORPHANS are back in Bellevue at 565 Live at 565 LIVE LOUNGE

September 9, 2016 from 8:30pm to 11:30pm
That's Bob Gabig, a cool cat, on guitar & vocals, prolific songwriter (funny but clean lyrics, folks). The Chief! Survivor of many vicious baguette attacks.That's Nelson Harrison , trombone and…See More
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BLUES ORPHANS TRIO rocks North Hills at Bistro 9101 at BISTRO 9101

September 2, 2016 from 7:30pm to 10:30pm
Bob Gabig - leader/guitar/vocalAndy Gabig - harmonica/vocalRoger Day - tuba extraordinaireSee More
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THE PITTSBURGH SOUND - An essay on jazz as a spoken language

THE  PITTSBURGH SOUNDThoughts by Nelson E. Harrison, Ph.D. The jazz tradition in Pittsburgh began in the first decade of the 20th century establishing it as one of the earliest caldrons of refinement and influence in the primeval development of its roots. The musicianly sophistication of black jazz in Pittsburgh…See More
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Dr. Nelson Harrison posted a blog post

THE PITTSBURGH SOUND - An essay on jazz as a spoken language

THE  PITTSBURGH SOUNDThoughts by Nelson E. Harrison, Ph.D. The jazz tradition in Pittsburgh began in the first decade of the 20th century establishing it as one of the earliest caldrons of refinement and influence in the primeval development of its roots. The musicianly sophistication of black jazz in Pittsburgh…See More
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Steve Coleman - The Acquisition of Language in the Jazz Tradition

After 30 Albums and 3 Recent Prizes, a Jazzman Flirts With the MainstreamBy FRED KAPLANAUG. 28, 2016PhotoSteve Coleman and Five Elements performing in New York City in 2015. Pictured are Mr. Coleman, on alto saxophone, left, and Anthony Tidd on bass. Credit Tina Fineberg for The New York TimesSteve Coleman is the most important jazz musician that many fans have never heard of. He’s been the leader on 30 albums in the last three decades and the mentor to a dozen younger artists now making…See More
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Profile Information

Favorite website
http://jazzhoprevolution.com
Favorite blog
http://www.novacopia.org
Pittsburgh Connection
Born raised and embedded in Pittsburgh. Crescent Elementary, Baxter Jr. High, Westinghouse High and University of Pittsburgh.
Favorite Pittsburgh musicians/performers
Pittsburgh musicians are the best in the world. There are too many to name especially since I have played here for 50+ years. I have had the honor and privilege of playing with a few of the legends of Pittsburgh, e.g., Billy Eckstine, Earl "Fatha" Hines, Kenny Clarke, Art Blakey, Stanley Turrentine, Sam Johnson, Joe Harris, J.C. Moses, Dakota Staton, Lena Horne, Grover Mitchell and Walt Harper.. My mentoring came from Warren Watson, Joe Westray, Carl Arter, Eddie "Rabbit" Barnes, Sam Hurt, Harold & Jerry Betters, Jerry Elliot, Bobby Jones, Art Nance, Cecil Brooks II, Bobby Boswell and Ahmad Jamal. My teachers were Fanetta Gordon, Carl McVicker, Sr. and Matty Shiner. My favorite pianist of all is Ahmad Jamal. If I went further to include my peer group down through the young lions of today I would run out of space.
Favorite Jazz Radio or media station
WDUQ, WYEP (blues), WRCT


HipbopperQuantcast
Favorite Pittsburgh Jazz Venue
The Crawford Grill #2 is my favorite stage to play in the entire world. There was also the Midway Lounge, the Hurricane, the Diplomat, the Ebony Lounge, the Crescendo, the Rendevous, the Florentine, the Loendi Club, the Local #471 Musicians' Club in S'Liberty, Horseley's, the Loft, Ramseys II, the Pirate Inn, the Copa, the Encore I & II, the Pink Cloud, the Pitt Pot, the Black Magic, the Tiger's Tail, the Zebra Room, etc. to bring back a few memories of the erstwhile clubs.
About Me:
Ph. D. in clinical psychology, educator, composer, archivist, lyricist, arranger, ASCAP, playwright, speaker, photographer; veteran trombonist of the Count Basie Orchestra featuring Joe Williams, Sarah Vaughan, Helen Humes, Joe Turner, Eddie Vinson, Dennis Rowland (‘78-80 incl. Japan tour); played with Dionne Warwicke, The Supremes and The Temptations (’64), Joe Westray (1962 – 72); Sonny and the Premiers (1963 – 67); Walt Harper (1967-70); James Brown (’67-68); Nathan Davis (1970-75); Lena Horne and Tony Bennett (‘74), Billy Eckstine and Earl "Fatha" Hines (1975), Kenny Clarke (‘79), Liberace (’77), Nancy Wilson and Melba Moore (’78), Sammy Davis, Jr. and Aretha Franklin (’79), Perry Como and Johnny Mathis (‘80), Bobby Vinton (’81), Ginger Rogers and Glenn Campbell (’82), Jay McShann (‘87), Slide Hampton (‘86), Nelson Riddle (’84) Marvin Hamlisch (’97) and the Preservation Hall Jazz Band in New Orleans (’98) to name only a few; inventor of the "Trombetto," a compact brass instrument with four valves that plays a chromatic range of six octaves with a trombone mouthpiece; played at festivals in New Orleans, London, Edinburg, Sacramento, New York City, Seattle; clinics and lectures in Santa Cruz and San Jose, CA, Quebec City and Montreal, Canada, Philadelphia, Baltimore, Cleveland, New York and Toronto; scores written to movies by Georg Sanford Brown and John Russo and plays by Richard Wright, August Wilson and Rob Penny; lyricist of 125 bop standards; featured horn soloist avec vocalese with the Pittsburgh Connection Big Band at the 2007 IAJE Convention in NYC; nationally recognized expert on Pittsburgh jazz history.

Currently active in Pittsburgh with The Blues Orphans, Wee Jams, and my own The World According to Bop, Jazz ‘N Jive, Dr. Jazz and the Salty Dawgs, Blue to the Bone, and Nelson Harrison and Associates.

Discography: Live at the Attic (1969) with the Walt Harper Quintet (Birmingham Label); Makatuka (1970) (Segue Label) and Suite for Dr. Martin Luther King, Jr. (1971) (Tomorrow International Label) with Nathan Davis; Kansas City Shout (1980) with the Count Basie Orchestra (Pablo Label); On A Coconut Island( 1993), Don't Give Up the Ship (1995), Burgundy Street Blues (1996) and Honky Tonk Town (1997) with the Boilermaker Jazz Band (Biograph Label); Tuesday Night at James Street (2002) with the RH Factor, Don’t Give Up (2003) with the Roger Humphries Big Band; Moonlit River (2003) songs by Fred Moolten, (MGO Media Label); 21st-Century Musicism (2005) compositions by Karlton E. Hester (Hesteria Records); If I Can’t Dance, It’s Not My Revolution (2006) Anne Feeney; Schism ‘n Blues (2005) & Root Rot (2007) with the Blues Orphans (Staggerin’ Fitz Label) which are the first commercial recordings of the trombetto, Not from Concentrate (2007) Genie Walker & Harmonique (Hip Tip Label).

He is is cited in the Marquis publication Who’s Who in the East (1979) and received the Renaissance Too Magazine Professional Men in Jazz Award (1989) and the East Liberty Hall of Fame (1991), the Westinghouse High School Hall of Fame (1995), Evolution of Jazz: Bridging the Gap Mentors Award (2006), the Walt Harper All That Jazz Award (2008), the Legacy Arts Project Keepers of the Flame Award (2008), the Build the Hill Award (2008) and the MCG Jazz Pittsburgh Legends of Jazz Award (2008), African American Council on the Arts Rob Penny Lifetime Achievement Award (2009), Jazz Journalists Assocciation (JJA) Jazz Heroes Award (2015).

Blogs:
http://www.jjajazzawards.org/p/blog-page.html
http://oldmonmusic.blogspot.com/2009/12/dr-nelson-harrison.html
http://www.blogtalkradio.com/cres-oneal/2010/06/16/dr-nelson-harrison
http://www.blogtalkradio.com/theremix/2009/05/30/dr-nelson-harrison...
http://www.blogtalkradio.com/musicwoman/2008/10/01/metaphysics-of-m...
http://www.blogtalkradio.com/soulutionsradio/2009/07/06/dr-nelson-h...
Website:
http://www.pittsburghartistregistry.org/drjazz
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artist, fan, industry professional, student, media
Listen to internet radio with cres oneal on Blog Talk Radio
 
HISTORICAL NOTE RE: TOMMY TURRENTINE

NOTE: The following was received via email on August 19, 2008 from Ahmad Jamal

Dear Nelson:

Salamo Alaikum wa Rahmatullahi wa Barakatoho!

For all those who think they know all the history about fellow Pittsburghers please note that Tommy Turrentine and Ahmad Jamal were room mates on the road with George Hudson.

I got him the trumpet chair with George and also got Jimmy Royal (one of my favorite bassists) in the band as well!!

Tommy taught me my first flatted fifth chord and we shared the stage at the Musician's Club (Local 471 on Wylie Avenue during many jam sessions there).

George Hudson was also from Pittsburgh originally and this was the band that housed me, Ernie Wilkins, Clark Terry and other well known musicians. This was perhaps Tommy's first big band hiring, the rest came later.

He and I were with George at the Apollo Theatre which was a first for both of us!!

My Salams,

Ahmad

===============================================================

MESSAGE from DAVID AMRAM on September 12, 2008

Dear Nelson,

Thank you for the fine information you have let me now about. i wish it could be broadcast on network tv and AM radio!!

The music (and your poem about Johnny Griffin and all your writings) are really fine and a breath of fresh air as well as blow for mental health!!  I hope to get back to Pittsburgh again and look forward to meeting you (and playing with you) when I do.


I'm back from a week in Denver, hiding out again at the farm working around the clock on my new piano concerto for its upcoming premiere. My series of concerts for the Democratic National Convention took place August 22-28, where I was designated as the composer-in-residence. It was a real honor to have been a small part of the historic week in Denver.

My opening concert at the convention Sunday, August 24th was called....

"Outside of Convention- From Fanny Lou Hamer to Martin Luther King to Barack Obama: How the Civil Rights Movement changed American politics"

This gala event (free to the public in Denver as well as to the delegates and their families) was sponsored by Nation Magazine, the Democratic National Convention, the Denver Public Library and PBS, (both the English and Spanish speaking stations) who taped my opening concert as well as other events, including the August 24th program at Convention Center, which took place at the Convention Center the night before the opening of the convention. Over a thousand people came, and it couldn't have been any better!!

My musical contributions included my Three Songs for America, settings of speeches by John F. Kennedy, Martin Luther King and Robert Kennedy for bass voice and orchestra, written 40 years ago for PBS. The singer, operatic bass Steven Taylor was really exceptional. It was the best performance that the piece has ever received.

For the second piece on the program, I conducted the Colorado Children's Chorale (a killer 100 voice prize winning choir) in three pieces for children's chorus for which I composed both the words and the music, dedicated to three great musicians I have played with over the years. They are Native American master musician and actor Floyd Red Crow Westerman, jazz innovator Thelonious Monk and ambassador of Afro-Cuban music, band leader Machito. I conducted the chorus, accompanied by my Denver-based trio.

We also performed the premiere of a new piece "You Are Somebody Too" for which I composed both the words and music, based on the "I am somebody" statement of Rev. Jesse Jackson in a version which I conducted with the children's choir, based in part on the use of phrases by the people of Denver who were interviewed on the street by sociologist Dr Audrey Sprenger, for a film she created for the convention as well as for the Denver Public Library, documenting their statements ("I am a cabdriver, 

I am a student, *I am a Bronco's fan, I am a future doctor, I am a proud father....etc)

All of these statements were sung and chanted, with audience participation, as a call and response, accompanied by my jazz trio, with special guest Jose Madera, leader of the Latin Giants of Jazz.

Congressman John Conyers was honored for his work in civil rights, interviewed in a discussion with John Nichols, editor of Nation Magazine, about the progress over the past sixty years of everyone's civil rights in America. Congressman Conyers is also a lifetime supporter of jazz as a national treasure (as well as his being someone who truly appreciates the symphonic masterpieces of European culture and how they relate to jazz as music which endures)

We ended the evening with my "Theme and Variations on Amazing Grace" which I performed on my Irish double D penny whistle, followed by the grand finale with my trio playing Now's the Time by Charlie Parker, honoring the early civil rights slogan "Our moment is Now," with audience participation.

I performed at a series of concerts for radio station KUVO in Denver with some outstanding musicians which was simultaneously broadcast by WWOZ in New Orleans, and at one of the late night jam sessions afterwards played with Hugh Masekela, whom I hadn't seen in forty years.

I also appeared at Red Rocks (a gorgeous amphitheater which holds 14,000 people). i was a guest artist with the bands of Jerry Jeff Walker and Willie Nelson. Earlier that day I presented a program for teachers and students at the Denver Academy, showing how the principles of musical construction in countries around the world could be used to teach geography, linguistics, social studies, history and developmental skills in all disciplines, and how a no more walls approach towards music (and life) helps us all in adapting to a global culture.

And between all the hectic activities, I worked in my motel room on my piano concerto. Composing into the wee hours every night kept me from getting into trouble!!!

I am now in relative hibernation, except for playing with Willie Nelson and his band for Farm Aid September 20, a few local engagements, and going to Iceland to perform for the world premiere of the film for which I composed and conducted the score "The Frontier Ghandi," created by Teri McCluhan, (Marshall McCluhan's daughter). The film will then be screened at the Lincoln Center in NY.

Other than this, I have a stretch of five weeks to work around the clock on my piano concerto, which will be premiered January of '09 in San Jose California.

I wish you extra energy in all you do, as well as joy and inspiration.

Best cheers always.

THEY CAN'T STOMP US OUT!!! Creative music and those who make it are here to stay!!!

David

P.S.
Here is a copy of the opening program for the Democratic National Convention. I wish you could have been there, it was standing room only and a real thrill to do. Eventually it will be on PBS and You Tube
--------------------------------------------------------------------------------------------------------------
The National Democratic Convention, Nation Magazine, Rocky Mountain PBS and the Denver Public Library present

FROM FANNY LOU HAMER TO BARACK OBAMA
A CELEBRATION IN WORDS AND MUSIC OF CIVIL RIGHTS In AMERICA

Representative John Conyers
Composer/conductor/multi-instrumenallst David Amram
Nation Magazine Editor John Nichols
The Colorado Children's Chorale

August 24th
Convention Center
Denver Colorado
5-7 pm
FREE ADMISSION

l. Three Songs For America for Baritone and Orchestra......................................David Amram
(Composed for National Educational Television 1968)
a. John F. Kennedy
b. Dr. Martin Luther King
c. Robert F. Kennedy

Steven Taylor  vocalist



ll. Three songs for Young People. (1996) .........................................David Amram
a. Rabbit Song  For Floyd Red Crow Westerman (based on traditional Lakota round dance melody Mastinchila Wachipi Olwan)
b. Summer Song  For Thelonious Monk
c. Son Montuno  For Machito
The Colorado Children's Chorale, Deborah DeSantis Artistic Director
Conducted by the composer with the Amram jazz trio.

Interview with Representative John Conyers and John Nichols

Music Honoring Jesse Jackson's Legacy

Variations on Amazing Grace- (2002) .................Amram (based on Traditional Spiritual)

David Amram Irish double D whistle

I am Somebody for chorus and jazz ensemble (2008).............Amram
(Based on Jesse Jackson's words and statements recorded by people from Denver. Composed for the Democratic National Convention 2008 )

Now's the Time (1945)---------------------Charlie Parker

Honoring the civil rights motto "The time is Now," The music by Parker and his colleagues, who were at the vanguard of the civil rights movement.

The David Amram Trio
Tony Black drums
Artie Moore bass
David Amram piano, French horn, flutes, percussion and scat vocals
Special guest Jose Madera, leader of the Latin Giants of Jazz, congas and Latin percussion

 

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Dr. Nelson Harrison's Blog

THE PITTSBURGH SOUND - An essay on jazz as a spoken language

Posted on August 31, 2016 at 4:48pm 0 Comments

THE  PITTSBURGH SOUND

Thoughts by Nelson E. Harrison, Ph.D.

 

The jazz tradition in Pittsburgh began in the first decade of the 20th century establishing it as one of the earliest caldrons of…

Continue

Steve Coleman - The Acquisition of Language in the Jazz Tradition

Posted on August 29, 2016 at 5:06pm 0 Comments

After 30 Albums and 3 Recent Prizes, a Jazzman Flirts With the Mainstream

Photo…
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JAMES STREET GASTROPUB BALLROOM BACK OPEN FOR BUSINESS

Posted on August 22, 2016 at 6:47pm 0 Comments

We are excited to announce the Ballroom is back open for business!!!

Because of all of your help and support we have been able to make all of the required renovations to the historic Ballroom.  It has truly been an amazing turn around, and all of us at James Street…

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Charles McPherson Interview

Posted on July 29, 2016 at 6:32pm 1 Comment



Interview with Charles McPherson



Charles McPherson

I’ve had two lessons with Charles McPherson when on tour in San Diego. They have been utterly remarkable. The second one from last fall I taped: Thanks to Charles for allowing this transcription to be published on DTM.

This week Charles is playing at Dizzy’s Club Coca Cola Thursday through Sunday. It is a must-see gig for lovers of the…

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Mothers of invention: the women who pioneered electronic music

Posted on July 3, 2016 at 4:49am 0 Comments



Mothers of invention: the women who pioneered electronic music

A new festival celebrates Daphne Oram, Laurie Spiegel and other female synth…

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At 7:49pm on April 29, 2016, Ms Taylor P Collins said…

Dr Harrison it has been quite a while but I am back and looking forward to meeting new friends here. I did send you an email today at the events email address. I hope to hear from you soon and hope that we can possibly work together this year at some point. Thank you for your support here...

At 11:41am on February 3, 2016, Kimmarie said…
Was such a pleasure seeing and meeting you face to face!! I LOVE what your doing for the city and abroad. Ttyl.
At 2:33am on January 30, 2016, Stacie Lynn said…
I want to post events to your site help
At 2:20am on January 4, 2016, Lisa White said…

Doc, I got your email but I don't feel good about putting the 2 names on this main page and I don't know any other way to talk except to call you. It may take a few days but I can  get your number. These 2 people must be working together because they use the same paragraph of being interested in my profile or something to that effect and mention to contact them because it cannot be discussed on this public site. I bet I'm not the only one being targeted. ok doc,thanks

At 11:15pm on January 2, 2016, Lisa White said…

Doc,don't know exactly how and where on this site to ask this question and wish i could  ask you this in private. Anyway, are any of your members being contacted by these so called members from Ghana ? Scarey

At 11:35pm on November 30, 2015, Michele Bensen said…

Thanks so much for your birthday wishes Nelson. Life is good and I won't stop singin till it's over man! It's good to get older, right? Thanks for all you do for the Pittsburgh Jazz Community and Internationally too. Thanks for the picture on Walnut Street in 1991.It's nice to share a birthday with Pittsburgh's own Billy Strayhorn, pretty cool! Love, Michele

At 9:00pm on October 21, 2015, Shane Austin said…

Thanks for the add to the Pittsburgh Jazz Network.  I appreciate the musical history and jazz legacy that is part of the Pittsburgh history.

At 7:20pm on August 28, 2015, Kevin Hurst, Sr. said…

I remember growing up in the 60's the Steelers were like the sorriest team in the NFL! My Pgh cousins say the Pirates were sorry before 60s. LOLThe region produced many ofthe best anf football is the game in western Pa. The support of high school sports and bands etc were huge before the video game era. That's wild the Steelers hired Harold Betters to play berfore the games to get folks to come out. I woulda stayed to listen to him. When I went to PITT 1975-79 they couldn't GIVE away Penguins tickets LOL. When I visited Pgh @2009 the traffic was back to Ohio one night the Penguins played. When I moved to Pgh 2010 many locals dont know where there is live music

At 9:33pm on June 29, 2015, Billy Strayhorn Memorial Page said…

Thank you for accepting me as a member.  I would very much like to connect with music lovers and of course learn as much as possible about Billy Strayhorn from other people.  What does anyone really know about him.  I would definitely love to learn even more.

At 4:22am on March 11, 2015, Gene Mariani said…

Thanks for accepting me as a Pittsburgh Jazz Network member.  I do so appreciate it.

Gene M

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