Pittsburgh's Own Regional Notables of Jazz
AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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PITTSBURGH JAZZ
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin
MARY LOU WILLIAMS
INTERVIEW
City Paper Article on Sean Jones and Nelson Harrison
And also, a great job to the writer of the article, Mike Shanley.
Terrific job, Mike!
When I went to Pitt for journalism (I got an English Writing Certificate from Pitt in 2000), I covered the Arts and Entertainment Beat for "The First Degree," and I believe Mike Shanley did the Arts and Entertainment Beat for "The Pitt News," during the same years.
It's great to see that Mike is continuing as a journalist and writing great articles for our Pittsburgh Jazz Scene.
I agree with everything Mike states in the jazz article about Nelson and Sean.
You guys have a heart of gold and have been such a joy to my music career.
You are both so generous with your time that you spend with me and the entire jazz community.
Thank You !Thank You! Thank You! For your time and dedication to the genre of jazz!
I'm very proud of sharing the bandstand with Nelson and Sean!
Nelson, you do a fantastic job with my outreach programs at Jazz Workshop, Inc.
Sean, eventually I know that we can work something out with doing a Jazz Workshop, Inc. Outreach Program at Duquesne University.
And finally, congratulations Mike on succeeding in the field of journalism.
Peace and God's Blessings To All Of You!
Musically,
Ed Skirtich
Artistic Director/Jazz Workshop, Inc.
ejskirtich@comcast.net
(412) 422-4149 (H)
(412) 841-8046 (C)
© 2024 Created by Dr. Nelson Harrison.
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