AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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Pain Relief Beyond Belief
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From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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MARY LOU WILLIAMS
By DownBeat I Mar. 1, 2021
Ralph Peterson Jr.
(Photo: Photo: Courtesy the Peterson family)Drummer Ralph Peterson Jr. passed away at 1:45 a.m. EST on March 1 following a six-year battle with cancer, according to his publicist, Lydia Liebman. He was surrounded by family and friends at the time of his passing. Peterson was 58.
A bandleader, composer and educator, Peterson was known as a fiery, full-of-life presence on the bandstand and off. Beginning in 1983, he burst onto the jazz scene as the second drummer in a late version of Art Blakey’s Jazz Messengers. His resume as a sideman serves as a who’s who of jazz from the 1980s forward, including Terence Blanchard, David Murray, Branford Marsalis, Charles Lloyd, Betty Carter, Uri Caine and many more.
Peterson recorded 23 albums as a leader, from his first, Ralph Peterson Quintet: V, to his last, Legacy Alive, Vol. 6 (with The Messenger Legacy band).
In 2018, Peterson spoke to writer Bill Milkowski for DownBeat’s December issue and discussed in his straightforward way his personal battle with cancer.
“I’ve had enough chances to be dead, but I’m grateful to be alive,” he said. “And the focus and intensity and pace at which I’m now working and living is directly related to the spiritual wake-up call that tomorrow isn’t promised.” To read the complete interview, click HERE.
Peterson is survived by his wife Linea, daughter Sonora Slocum, stepdaughters Saydee and Haylee McQuay, and his spiritual daughter Jazz Robertson.
Funeral arrangements are being planned and will be announced shortly. The family asks for privacy during this time. DB
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