AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428
Pain Relief Beyond Belief
http://www.komehsaessentials.com/
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
WELCOME!
MARY LOU WILLIAMS
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Yeah,...I saw this piece and wondered why Little E's wasn't mentioned. Don't know what to make of the omission but I'm certainly glad jazz is at least getting mentioned. As for the new place,......I hope it makes it. I also hope there will be an effective effort to publicize it and it's shows. The Sean Jones/Roger Humphries gig at the August Wilson Center on Thursday wasn't even listed in the PG's weekend magazine.....and a mention there is FREE. I found out about it 2 days before it happened. Someday Nelson, we'll have to have a beverage and talk further about how to publicize the city's jazz events. Little E's works to get the word out,...Andy's too,....and the Trust gets the word out about their gigs but it sure seems to me that it all should have a higher profile....who knows maybe someone can even get CJ's to re think their absurd dress code .....and quit turning paying customers away....my new bosses will allow me to have a web presence for jazz listings....should be up in a week or so.....but without a full time jazz station anymore things will be even tougher than before
Thanks for the nice words guys. Needless to say, hurtful article from the Post, again. We bust our butts to do this and not for some to say way to go nice job, but we do it for the city and the art of Jazz. Not to mention our liveli-hood. But to be completely ignored along with all the other places that try to have live Jazz, I just can not figure that out.
We try to provide common ground here on the PJN for all who dig or are involved in jazz in some way, professionals, fans, media, promoters, students, venues, etc. It can almost be said that Pittsburgh territorialism is so pervasive that we have difficulty recognizing common ground and that a rising tide raises all ships. We are a bit astounded how little self-promotion is undertaken by many of our members even, who visit their own pages rarely, do not post their calendars, do not post content on their pages, do not browse other member pages or add friends, don't use our chat line or other general apps very often, but I see the same members going gaga on FB with games and posts that do not even speak to an interest or involvement in jazz.
I guess I'm getting old because I remember when the Steelers hired Harold Betters and other jazz musicians like Chuck Spatafore and Walt Harper to help draw fans to the stadium. (That began in 1967 when the Steelers had trouble drawing 10,000 fans per game.) No wonder the press tends to ignore us these days.
The Pittsburgh Cultural Trust has been hosting jazz at the Backstage Bar and Cabaret Theatre for years. The Melange Bistro on 6th Street is also trying jazz on for size. The parking is a bit prohibitive but the sports fans find a way to park and walk or shuttle to the games across the river.
I wonder why more of them, since they are already parked, don't stop into a jazz venue to catch some sounds before they leave town. Maybe soneone can weigh in on that aspect.
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