Pittsburgh's Own Regional Notables of Jazz
AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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PITTSBURGH JAZZ
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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Alesis quadrasynth plus piano manual
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ALESIS QUADRASYNTH PLUS PIANO MANUAL >> READ ONLINE ALESIS QUADRASYNTH PLUS PIANO MANUAL
The second offering from Alesis in the Q series of expansion PCMCIA cards for their 1990s synths. The EuroDance is surely one of the best in the series, providing excellent, big, well-produced quality sounds for the electronic and dance genres. However, this card offers many other great patches for other types of musical genres- the pads in QS Patch Comprehensive editor for the Alesis QS 6, 7, 8, 6.1, 7.1, 8.1 and QSR synthesizers. (Windows) All patches can be selected by group and auditioned in the selector window. Also, it maps the controllers properly to allow full panning, effects, volume, etc. from the sequencer window and/or controller keyboard. Quadrasynth. by Sir Raven » Mon Jun 01, 2020 7:32 am. Greetings, I just want to share that I, since yesterday, am a happy owner of an Alesis Quadrasynth Plus Piano. When I first read an article about the… login to view the rest of this post. Last edited by Sir Raven on Wed Jun 03, 2020 9:45 am, edited 1 time in total. Eight patches on the Alesis QuadraSynth Plus Piano:00:10 Door-way00:46 ModWhlClav01:27 D4 Pwr Kit02:02 ToneWhlPrc02:39 Bali Hai03:37 Industrial04:07 Dark Pia QuadraSynth Plus Piano Reference Manual133 Copying Effect Patches When you want a Program to use the Effects from a different Program, you must copy that other Program's Effects into the Program you are working on. This is done within Store Mode using the "Copy Effect" function. First, select the Program which contains the Effects you wish to copy.
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