PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words
Barry harris workshop pdf

 

BARRY HARRIS WORKSHOP PDF >> Download BARRY HARRIS WORKSHOP PDF

 


BARRY HARRIS WORKSHOP PDF >> Read Online BARRY HARRIS WORKSHOP PDF

 

 











Movable Chords for the piano and guitar- Barry's unique approach to chord voicing and movement is outlined here demonstrated on several standards. Approx. 45 mins. Focus on the Rhythm Section- Here, accompaniment is addressed, along with the function and interaction of each instrument in the rhythm section. Approx. 45 mins. Barry Harris. Average rating 4.67 · 18 ratings · 2 reviews · shelved 72 times. Showing 30 distinct works. « previous 1 2 next ». sort by. The Barry Harris Workshop DVD - Part One (4 Dvds/workbook) by. Barry Harris. it was amazing 5.00 avg rating — 6 ratings. 333856704-Barry-Harris-Workshop-2-pdf.pdf. Full description . 166 60 11MB Read more. Barry Harris Masterclass Transcription. 78 0 1MB Read more. Barry Harris Basic Models. 40 0 128KB Read more. Barry Harris JazzTutorial PDF. 199 60 569KB Read more. Barry Harris and Howard Rees, Toronto 1991 Barry Harris, Detroit International Jazz Festival Barry Doyle Harris (December 15, 1929 - December 8, 2021) was an American jazz pianist, bandleader, composer, arranger, and educator. He was an exponent of the bebop style. [1] [2] Contents 1 Life and career 2 Jazz Cultural Theater 3 Awards and honors 4 Discography 4.1 As leader 4.2 As sideman Research Process: I transcribed two DVD boxes containing 8 discs of over 8 hours of workshops by pianist Barry Harris that were recorded and published by Howard Rees. Furthermore, I transcribed about 54 video's of Barry Harris that were published on the website, franselsen.com, and several solo's of him. At 89, Barry Harris is still intellectually agile even as his stride has slowed, the result of a fall two years ago in Bologna, Italy. Named an NEA Jazz Master in 1989, he was a key player in bebop's early years The workshop is actually three workshops: piano from 6 to 8 p.m.; vocals from 8 to 10; and improvisation for all instruments Here's a great excerpt from a Barry Harris workshop where he introduces an interesting diminished concept, which he (jokingly) calls his "personal scale". It produces a very cool jazz sound by a quite unexpected means. The video is a bit piano-focussed so I thought it might help some guitar players to have a summary from our point of view of This name comes from the scale approach that Barry Harris teaches to the minor ii-V progression. In his solo on take 2 of 'Is You Is Or Is You Ain't My Baby' from At The Jazz Workshop, Harris repeatedly uses a phrase ending in the 'seven down to the third of' scale to navigate the recurring Gm7b5-C7b9 change. Like Parker in the Star Eyes Barry Harris from Jazz Workshop (1961) TRANSCRIBED TROMBONE SOLOS AND BASS CLEF TRUMPET SOLOS Blue Trane Curtis Fuller from John Coltrane/Blue Trane (Blue Note 1957) B Flat Blues J. J. Johnson solo Joy Spring Clifford Brown from Max Roach Clifford Brown Quintet (1953) I Had the Craziest Dream Kenny Dorham from Quiet Kenny (1959) The Barry Harris Approach To Improvised Lines Harmony Pdf. The Barry Harris Workshop DVD - Part One (4 Dvds/workbook) Barry Harris on Amazon.com.FREE. shipping on qualifying offers. A total of four hours of video with a detailed workbook and complete transcriptions in C divided into 5 sections. Includes Barry in classroom and solo performance. This 20-page document is an overview of Barry Harris' harmonic principles, and describes the way he derives the four important chord types and their scales. It includes an appendix with musical examples using these chords and scales, written for the piano. Language: English - $20.00 [P

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