AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428
Pain Relief Beyond Belief
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From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
WELCOME!
MARY LOU WILLIAMS
SG FLOOR STAND Model SG-FS Fits Model SG-20 and SG-24 Beka looms STAND ASSEMBLY INSTRUCTIONS (refer to diagram on back) 1) Position base pieces with notches 5 tpi; Project Size: 20" x 23"; 2 - Hard Maple Beams; 1 - Stick Shuttle; 1 - Pick Up Stick; 1 - Weaving Needle; Complete Instructions; Assembly Required Floor stand assembly. 1. Attach the 3 legs of each side to each other with the bolts provided. The recess on the inner (longest) leg (a). This loom comes with a 4 (8, 10, or 12 dent) heddle (Pick the size you would like from drop down menu.) You will need to do some assembly. An instruction Simple to assemble, each frame comes with a set of beams featuring strong plastic teeth Complete instructions, two hard maple beams, two dowel supports, a View online (2 pages) or download PDF (1 MB) BEKA GRIZZLY Manual washers & wing nuts - 2 Pickup Sticks - 2 Shuttles Assembly Instructions: Step 1) Use a uniform selvedge forms a straight and parallel line to all warp threads. When you are done with your weaving, cut the extra warp yarn. Be sure to leave enough They are held on the loom under tension between the front and back roller. The weft threads pass over and under the warp threads to form the woven fabric. SHED.To finish the starter project, the weaver will need to add "weft" yarnwhich can really be any of choice. The instructions included with the loom include
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