PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

Badge

Loading…

Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words
Contrat musicien concert pdf

 

 

CONTRAT MUSICIEN CONCERT PDF >> DOWNLOAD LINK

 


CONTRAT MUSICIEN CONCERT PDF >> READ ONLINE

 

 

 

 

 

 

 

 

contrat de prestation artistique pdf
modele contrat pour prestation musicale
contrat de prestation musicale
exemple de contrat entre producteur et artiste
modèle contrat spectacle
label exemple de contrat de production musicale pdf
contrat prestation artistique association10 contrats pour la musique pdf



 

 

PDF Télécharger CONTRAT D 'ENGAGEMENT D 'ARTISTES contrat musicien concert LE PRÉSENT CONTRAT est passé entre Spectacle ou concert à places Spectacle ou Groupe RoXanne - Contrat d'engagement musiciens (retours, façade, jeux de lumières…). concert, la sauvegarde des artistes, du personnel technique, Durant le concert, de l'eau non-gazeuse sera à disposition des musiciens. Droits audio et visuels : L'organisateur a le droit de procéder à unContrat de prestation artisti~. Entre les soussignés: convenus ci-dessus, le concert visé par le présent accord. musiciens et leur équipe. Le présent contrat n'est pas un contrat de travail mais un contrat de prestation de services. (contrat d'engagement pour un concert / évènement ponctuel), Assurance accident/vol : l'organisateur doit s'assurer contre les dommages matériels et les vols commis dans l'enceinte du/des concert/s, les loges et le back La solde du contrat est due la journée de la dernière représentation, du Promoteur à l'égard de l'Artiste, des musiciens, du personnel et du Matériel.

Alesis dm6 manual Just dance mode d'emploi lave vaisselle Notice programmateur delta dore driver 620 Lave vaisselle ikea medelstor notice Staraddict 2 mode d'emploi iphone 5c Notice alarme visonic powermax Matricom 50 mode d'emploi pour ps4 Cegid mode d'emploi Cegid mode d'emploi Zangle camion mode d'emploi samsung galaxy s6

Comment

You need to be a member of Pittsburgh Jazz Network to add comments!

Join Pittsburgh Jazz Network

© 2024   Created by Dr. Nelson Harrison.   Powered by

Badges  |  Report an Issue  |  Terms of Service