AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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Pain Relief Beyond Belief
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From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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MARY LOU WILLIAMS
The external USB device containing the exported audio content can then be used as a playback medium, connected to your Cymatic Audio LP-16 or uTrack 24. uTool also lets you adjust volume levels and channel muting of your multitrack files, in order to prepare for different live situations with as little hassle as possible. 1.2. Live Recorder The Live Recorder LR-16 is the world's easiest to use Direct to USB 16-track recorder and 16 in / 2 out USB audio interface for PC, Mac® and iPad®. The LR-16 was designed using high-grade components, in order to ensure optimum performance Some time ago (FRONT of HOUSE, June 2013) we checked out the Cymatic Audio LR-16, a 16-channel recording solution for capturing 16-tracks of live audio from analog boards. At $499, it was priced right, but besides having a 16-rack limit, it also was built in a non-rack configuration — issues when considering gear used in a live environment. I am new to the forum, so please forgive me if this is not the right place for this thread I recently began to multitrack my live rock shows using a Cymatic Audio uTrack 24 24-Channel Recorder Features: Allows connection of 24 channels of balanced I/O via 25-pin D-Sub connectors. Operates as a 24x24 USB computer audio interface. Alternate format 24x24 I/O using optional digital expansion module. 24-bit resolution, up to 96kHz sample rate: When you've finished your live recording in the field, the LR-16 is ready to double as a computer audio interface, Simply connect the LR-16 to the USB port of your computer and you have a high quality 16 X 2 USB audio interface. With the new V2 firmware upgrade the LR-16 also acts as a Mackie Control & MMC Transport Control for your DAW. View online (39 pages) or download PDF (1 MB) cymatic audio Live Player LP-16 User manual • Live Player LP-16 Musical Equipment PDF manual download and more cymatic audio online manuals The unit is always recording 16 discrete wave files at 16/24 bit/44.1-48kHz and elegantly auto names the tracks and take folders. You simply connect, hit record and you are done. Perfect for recording any live performance or rehearsaljust tap into your FOH Inserts with a TRS Snake and your are ready to go. the lr-16user manual contains in-depth details of your live recorder's features and functionality, including: direct to usb hard drive recording (16 tracks at 24-bit, 44.1/48khz, 2 tracks at 24-bit, 96khz) 16 analog 1/4" trs insert-style inputs independent and global 10db input level padding on all inputs stereo line level output front … Cymatic Audio LR-16 Live Recorder View PDF View PDF This product is currently not available for purchase Key Features 16-Track USB Recorder/Interface 16 Line-Level TRS Inputs. USB Interface Computer Connectivity Single Button Recording Function Lightweight and Portable Questions? Email info@gear4music.com or call 0330 365 4444 The manual mentions using them for virtual soundcheck, backing tracks, etc., but I'm wanting to know if it can be used to used to monitor recording in real time. Cymatic Audio Live Recorder LR-16 NOW SHIPPING. TruNorth. replies: 37 views: 10938: Dan Steinberg 19th January 2017 : Cymatic Audio LR16 recorder? GZsound. replies: 63 views: 13019 The LR-16 uses insert style connections and requires a special cable or TS to TRS adapters to connect to line level direct outputs of a mixer or device. Cymatic Audio now provides a 2 Meter (6.56
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