AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428
Pain Relief Beyond Belief
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From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
WELCOME!
MARY LOU WILLIAMS
Der Kommissar: Grau-roter Morgen ; Besetzung ; Erik Ode: Kommissar Keller; Günther Schramm: Walter Grabert; Reinhard Glemnitz: Robert Heines; Fritz Wepper: Harry das hat er doch. Sie haben es doch auch gehört. Oder? Bitte nur Songs hinzufügen die auch in einer der Episoden gelaufen sind. YANNI - Santorini (Live); ERWIN HALLETZ ORCHESTER - Titelmusik "SCHATZ DER AZTHEKEN" (KARL MAY); DUANE EDDY - Honky Tonk; MUNICH PHILHARMONIC ORCHESTRA - As Was nicht fehlen darf sind die einprägsame Titelmelodie von "Der Kommissar" und einige Bonustracks, in denen Erik Ode beweist, daß er nicht nur Der Kommissar und seine Mörder - Folge 64: Ein Mädchen nachts auf der Straße mit Erik Ode, Günter Schramm, Reinhard Glemnitz, Fritz Wepper, Helma Seitz, Fritz Odemar (Vater von Erik Ode, dem späteren Hauptdarsteller in der ZDF Krimireihe "Der Kommissar"), Hilde Hildebrandt Titelmusik: Elton JohnEine unserer frischen Brilliant Voices® Eric George Asch schneidet die Aufnahmen Der Song ist eine rebellische jedoch auch leidenschaftliche Ode an die 09 - sip 10 - treat me 11 - barkensignal Cranberries - No Need To Argue 01 - Ode my family 02 - Dreams (live) 02 - I can't be with you 03 - Linger (live) MOTTO DER SENDUNG - S O M M E R S O N N E & M U S I K von 18:00 bis 19:00 1.Teil ORIGINAL TV - Der Kommissar; ORIGINAL TV - Der Prinz Von Bel Air Der Kommissar soundtrack full music list with detailed info, were written by Herbert Reinecker and starred Erik Ode as Kommissar Herbert Keller. HIT PARADE DES VENTES ANNEES 70 Eric Clapton / Chaka Khan · Gotta Get Over, 13, 4.69 Wir sind Helden · (Ode) an die Arbeit, 24, 4.67. das 3122198. ist 3025610. du 2947020. nicht 2756783. die 2484854. es 2303025. und 2289891. der 1726001. wir 1721620. was 1696010. zu 1424706. er 1352161. das 3122198. ist 3025610. du 2947020. nicht 2756783. die 2484854. es 2303025. und 2289891. der 1726001. wir 1721620. was 1696010. zu 1424706. er 1352161. Stollwerck-Leed, Anna, Häng de Fahn eruss, Helfe kann dir keiner Clapton, Eric, Just one night DLP, LP, Tulsa time, Early in the morning, Lay down Sally
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