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From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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MARY LOU WILLIAMS
Examples of hard cases
The Model of rules Dworkin summary
Taking rights Seriously Dworkin PDF
Dworkin principles
Dworkin The Model of rules
Dworkin theory of rightsWhat are hard cases
Hard cases Jurisprudence
How did Raz critique Dworkin? Raz criticized this theory as Dworkin distinguishes between source and non-source laws in which he accords a separate/private place to legal sources which can be identified by Hart's rule of recognition as Dworkin did not offer any rule of his own. filexlib. R. M. Dworkin, "Hard Cases," Harvard Law Review 88 (1975): 1057-1109, a revised form of his inaugural lecture as professor of jurisprudence, given at Oxford
Hard Cases]. 4. Supra note 3. 5. For other discussions concerning the nature of judicial adjudication within the parameters of the Hart-Dworkin debate,
7 Compare Dworkin's “Hard Cases” in Taking Rights Seriously with Hart's Concept of Law, 128–36;. Kent Greenawalt, “Discretion and Judicial Discretion: The
The positivist theory of adjudication - that judges use their discretion to decide hard cases - fails to resolve this dilemma of judicial decisionmaking.
Dworkin, R. M. This is less clear, however, in a hard case, that is, when competent law principle rather than policy, even in very hard cases. PDF | Ronald Dworkin and Critical Legal Studies (CLS) both focus on what Jeremy Waldron terms the “background elements” of the legal system — “the.
INTRODUCTION. Legal positivism provides a theory of hard cases. When a particular law- suit cannot be brought under a clear rule of law, laid down by some.
Dworkin provided a very convincing answer for the “one answer” model, whereas both inclusive and exclusive positivists and Critical Legal Studies and legal
This work explores Ronald Dworkin's analysis of 'hard cases'. It focuses on what is a 'hard case' for Dworkin? What theory of 'hard cases'
What is the difference between Hart and Dworkin? While Hart insists that judges are within bounds to legislate on the basis of rules of law, Dworkin strives to show that in these cases, judges work from a set of "principles" which they use to formulate judgments, and that these principles either form the basis, or can be extrapolated from the present rules.
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