AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428
Pain Relief Beyond Belief
http://www.komehsaessentials.com/
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
WELCOME!
MARY LOU WILLIAMS
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Adquisición de estetoscopio para auscultación de los trabajadores de las sedes de la. Superintendencia Nacional de Bienes Estatales. 3. FINALIDAD DE LA Es importante limpiar y desinfectar su estetoscopio para evitar posible contaminación cruzada. Los tubos biauriculares y la tubuladura flexible pueden limpiarse La principal diferencia entre un estetoscopio de Pinard y un convencional es que se puede escuchar el latido fetal de forma directa ya que en el estetoscopio 5 jul 2022 — PDF | Healthcare-associated infections (HCAI) are a problem worldwide. di có el estetoscopio haciéndolo bi-auricular1. Algunos. La principal diferencia entre un estetoscopio de Pinard y un convencional es que se puede escuchar el latido fetal de forma directa ya que en el estetoscopio por P Cossio · Mencionado por 3 — un estetoscopio biauricular con doble receptor (fig. I), uno cerrado con diafragma de ebonita y otro abierto pero a capacidad variable por un sistema a.por FD Saraví · Mencionado por 7 — Palabras claves: Auscultación obstétrica, estetoscopio, Kergaradec, monitoreo fetal, Pinard. ABSTRACT. Using the stethoscope invented by his friend Laennec, El estetoscopio Pinard en madera de haya es ideal para comadronas y futuros padres. O estetoscópio Pinard é feito em madeira de faia e especialmente apropriado El estetoscopio de Pinard es un estetoscopio obstétrico y fue desarrollado en. 1895 por el médico y obstetra francés Adolphe Pinard. Fabricado en madera de haya
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