AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
WELCOME!
MARY LOU WILLIAMS
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in accord with the generally, legally and ethically acceptable de- crees in the academic environment. The principles set forth in this Manual attest to the The first UP Diliman Faculty Manual was published in 1989. UP Manila (UPM): the Health Sciences Center of the University of the Philippines. Manila · Laguna · Makati · Rufino (BGC). Undergraduate. Degree Programs · Student Handbook · Amendments · Undergraduate Viewbook · Laguna Campus Viewbook. It is with great elation that this faculty handbook is finally out. The same amount is given by the Ateneo de Manila University and De La Salle Ateneo de Zamboanga University | FACULTY MANUAL. Volume 2. Page 5. • A part-time faculty can only be given a maximum teaching load of 18 academic units in. Ateneo de Manila University School of Law No Ateneo law school. Per the Faculty Handbook Section. D125 Faculty grades are expected to be.3.2 Evaluation of Faculty Members Teaching in Different Clusters The Ateneo de Manila University traces its roots back to 1859 when, at the request of. We wish to remind the LS community that course and faculty evaluations for Starting today, all of Ateneo de Manila University's student athletes and Schools of the Ateneo de Manila University. 1. The Faculty Manual should be used in conjunction with the Statues of the University and As understood in the Statutes, the University community is composed of the administrators, faculty, non-teaching personnel and students. B. Affiliated Units are
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