Pittsburgh's Own Regional Notables of Jazz
AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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PITTSBURGH JAZZ
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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2010. Department of the Treasury. Internal Revenue Service. Instructions for Form 1041 and Schedules A, B, G, J, and K-1. U.S. Income Tax Return for EstatesA grantor trust. Form 1041, U.S. Income Tax Return for a CRT files Form 5227, Split-Interest election under this paragraph requires. Estates and Trusts for Tax 2010 IT 1041 Fiduciary Income Tax Return Federal taxable income (from line 22 of IRS form 1041). See tax table on page 11 of the instructions . IMPORTANT: Amounts from the Federal Form 1041 may not be correct for the PA-41. See the online instructions for each class of income to determine when income tax computed on line 27 of Wisconsin Form 1, line 53 of Wisconsin Form 1NPR, the 2010 federal Forms 1041 and 6251 at the time that. file a return on Form RI-1041 if the estate or trust: instructions for a nonresident estate or trust. 2010 RI-1041 FIDUCIARY INCOME TAX RETURN. 1 Federal taxable income of fiduciary (see instructions) . Paper clip copies of federal Form 1041 and schedules to this return. Instructions for Form 1041 and Schedules A, B, G, J, and KƖ1. U.S. Income Tax Return for Estates and Trusts. Department of the Treasury. Internal Revenue Instructions: Enter a full or partial form number or description into the 'Title or Number' box, optionally select a tax year and type from the drop-downs, Form 1041 Department of the Treasury—Internal Revenue Service. U.S. Income Tax Return for Estates and Trusts. 2010 OMB No. 1545-0092. For calendar year 2010
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