AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428
Pain Relief Beyond Belief
http://www.komehsaessentials.com/
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
WELCOME!
MARY LOU WILLIAMS
Cardboard boxes: Folding cardboard box, FEFCO 0201, internal dimensions 234 x 184 x 168 mm, pack of 50, made of double fluted cardboard | Free delivery 3 year minimum warranty 30 day right of return (PDF) Folding cardboard box, FEFCO 0201 made of double fluted cardboard. 5 stars out of 5. Save with attractive quantity discounts; FEFCO 0229 Slotted-type boxes consist of basically one piece with a glued, stitched or taped manufacturers joint and top and bottom flaps. They are shipped flat, ready to use and require closing using the flaps provided. International Fibreboard Case Code Pantone Colour Guide Product categories 0100 Commercial Rolls & Sheets 0200 Slotted Type Boxes Kartonové obaly se dělí na základě konstrukčních odlišností do osmi kategorií. Na označení těchto kategorií používá čtyřmístný kód (například 0201). První dvojčíslí pak představuje název pro skupinu konstrukce. Číselné označení pro jednotlivý typ krabic je následující, přičemž číselné označení 01 jsou kartonové přířezy: 4K screenshot saving is available only for registered users with an active Professional plan. Example: 0201-2. A version may be unique to individual manufacturers. Combination of types The construction styles shown are of the basic types of ibreboard cases. If the ultimate construction is a combination of two or three basic models, e.g. lap arrangements, they may also be described as follows: Top laps as 0204, Bottom laps as 0215 Wellpappfaltkartons FEFCO 0201 - zweiwellig Artikelnummer Innenmaß L x B x H (mm) Qualität Höhenriller Stück / VE Stück / Palette KMIWA30BC305X215X230 305 x 215 x 230 2.30 BC 100 + 150 mm 20 560 KXXWA30BC315X225X250 315 x 225 x 250 2.30 BC - 15 360 KMIWA30BC320x225x110 320 x 225 x 110 2.30 BC - 20 560 0301 0302 0303 0304 0305 0306 0307 0308 0309 0310 0311 0201 Regular Slotted Container (RSC) All flaps have the same length, and the two outer flaps (normally the lengthwise flaps) are one-half the container's width, so that S50 745x550x468 760x565x500 2.91 BC Fefco 0201 250, 350 S55 745x267x218 760x282x250 2.91 BC Fefco 0201 - S40 535x350x436 550x365x468 2.91 BC Fefco 0201 350 S30 350x260x202 365x275x234 2.70 BC Fefco 0201 150 S20 260x167x202 275x182x234 2.70 BC Fefco 0201 - S15 172x127x212 182x137x234 1.40 C Automatic bottom Fefco 0711 - This Code has been developed by FEFCO and ESBO as an official system to substitute long and complicated verbal descriptions of fibreboard case and packaging constructions with simple symbols internationally understood by all, regardless of language and other differences. The references may be used in orders and specifications for packing cases. FEFCO 0201 - Regular Slotted Container - RSC. FEFCO 0200 HH - Half Slotted Container Hand Holes - HSC HH. FEFCO 0200 EH - Half Slotted Container Extended Gluelap Hand Holes - HSC EF HH. FEFCO 0200 EF - Half Slotted Container Extended Flaps - HSC EF. FEFCO 0200 - Half Slotted Container - HSC. Title: Standard Catalog Example: 0201-2. A version may be unique to individual manufacturers. Combination of types The construction styles shown are of the basic types of fibreboard cases. If the ultimate construction is a combination of two or three basic models, e.g. flap arrangements, they may also be described as follows: Top flaps as 0204, Bottom flaps as 0215 Example: 0201-2. A version may be unique to individual manufacturers. Combination of types The construction styles shown are of the basic types of fibreboard cases. If the ultimate construction is a combination of two or three basic models, e.g. flap arrangements, they may also be desc
© 2024 Created by Dr. Nelson Harrison. Powered by
You need to be a member of Pittsburgh Jazz Network to add comments!
Join Pittsburgh Jazz Network