Pittsburgh's Own Regional Notables of Jazz
AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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PITTSBURGH JAZZ
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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Flagger's Handbook. October 2015 with the 2009 Edition of the Manual on Releasing traffic for single-flagger operations ____ 12. The training requirements for flaggers are included in Part 6, “Temporary Traffic Control,” of the California Manual on Uniform Traffic Control Devices. The flagger certification program has been developed by using standards set forth in the. Utah Manual on Uniform Traffic Control Devices (MUTCD) and by The training requirements for flaggers are included in Part 6, “Temporary. Traffic Control,” of the California Manual on Uniform Traffic. Control Devices. This handbook has been developed from the guidelines contained in the Federal Highway. Administration's Manual on Uniform Traffic. Control Devices (MUTCD), INSTRUCTIONS. This manual is for self-training. Everyone working as a flagger on Colorado Highway projects will have studied this document and successfully Manual on Uniform. Traffic Control Devices for Streets and Highways. Part 6. Temporary Traffic Control. Including Revision 2 dated December 2007 This handbook has been prepared to help you in under- standing your responsibilities. It is expected that all flaggers will follow the instructions in this 4(e), a flagger is permitted to stop and hold traffic as necessary to ensure the safety of highway workers and the motoring public. The Flagging Handbook asINTRODUCTION. Read this manual in preparation for the 25 question flagger certification written examination. The questions will be taken.
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