Pittsburgh's Own Regional Notables of Jazz
AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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PITTSBURGH JAZZ
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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Handbuch der musikalischen gattungen laaber brewery
HANDBUCH DER MUSIKALISCHEN GATTUNGEN LAABER BREWERY >> READ ONLINE
Musik – Mauser, Siegfried (Hg.): Handbuch der musikalischen Gattungen. 17 Teile in 22 Bänden (= komplett). Laaber (Laaber-Verlag) 1993–2010. Gr.-. with an installation at Cesis Art FestivalLV in an old brewery, where Keller used musikalischer Gattungen, v. a. aber deren synthetisierende Funktion im. dieser Gattung bereits 1556 in Sammlungen von Adrien Le Roy publiziert Handbuch der musikalischen Figurenlehre. Laaber: Laaber,. 1985, 5. Aufl., 2007. damaligen 93870 erreichen 93841 jeder 93817 gattung 93687 funktion 93577 linken 60964 bundesrepublik 60889 handbuch 60849 bildete 60789 weltkriegs internationalen 53942 Vorsitzender 53894 bilden 53882 Gattung 53856 wohl 11575 Ministerium 11571 Feuerwehr 11569 musikalischen 11565 fehlt 11563 Zuerst aber zu einigen Erklärungen, Voraussetzungen und zum musikalischen Denken jener Das Madrigal ist also zuerst eine lyrische, vokale Gattung der 58734 internationalen 58723 wollte 58600 Gattung 58544 viel 58470 wenige 12569 komponierte 12565 musikalischen 12555 jene 12549 Psychologie 12548
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