AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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MARY LOU WILLIAMS
Place your index and middle finger of your hand on the inner wrist of the other arm, just below the base of the thumb. You should feel a tapping or pulsing against your fingers. Count the number of taps you feel in 10 seconds. Multiply that number by 6 to find out your heart-rate for one minute. Pulse in 10 seconds x 6 = __ beats per minute. filexlib. A BP measurement in its simplest form is a determinant of individual cardiac output (the volume of blood pumped out of the heart and into the aorta per minute) and the systematic vascular resistance (the diameter of the arterial blood vessels) ( Foley, 2015 ).
For manual monitors, this means squeezing the bulb. For automatic ones, it's simply a press of a button. Check the readings. Write down the top number (your systolic pressure) and the bottom number (your diastolic pressure). Finally, establish a routine for checking your blood pressure at home. This enables you to notice trends in your
To take blood pressure, place the cuff around the upper arm and pump the ball until the cuff is snug. Place the stethoscope in the crook of the elbow and listen for the pulse. Pump the ball until the reading is at its highest point and then release the valve. The systolic number is the highest reading and the diastolic number is the lowest.
Place the fingers on the inside of the wrist to locate the pulse. Now, take two fingers (preferably index and middle fingers) and place them just below the wrist creases on the thumb side of the hand. A strong pulse felt at the wrist correlates to a systolic blood pressure of at least 80 mmHg.
Here are some of the ways to check your blood pressure without equipment. Here are some of the necessary steps that you can take to measure it without your cuff and stethoscope. First, you have to use your first two fingers of any hand and put it on the wrist of the opposite hand. Ensure that your hand is facing upwards.
On the manual models, you have to inflate the cuff. You do this by squeezing the rubber bulb at a rapid rate. After the cuff inflates, the automatic device will slowly let air out. Look at the display screen to get your blood pressure reading. It will show your systolic and diastolic pressures.
To take your blood pressure, you inflate the cuff around your upper arm. This stops the flow of blood in the artery for a short time. You place the stethoscope on the skin over the artery. As you release air from the cuff, you listen for the sound of the blood as it starts to flow through the artery again.
Blood pressure measurement technique: nurse demonstrates how to check a blood pressure manually at home with a blood pressure cuff kit (sphygmomanometer) and How to measure your blood pressure at home using a home monitor Follow the instructions that came with your monitor. Make sure you place the cuff around your arm as described in the instructions. Place the arm cuff just above your elbow.
The diastolic pressure is always lower than the systolic pressure. Blood pressure is measured in units of millimeters of mercury (mmHg). The readings are always given in pairs, with the upper (systolic) value first, followed by the lower (diastolic) value. So someone who has a reading of 132/88 mmHg (often spoken "132 over 88") has a.
Locate your pulse by lightly pressing your index and middle fingers slightly to the inside center of the bend of your elbow (where the brachial artery is). If you cannot locate your pulse, place
Locate your pulse by lightly pressing your index and middle fingers sli
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