AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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Pain Relief Beyond Belief
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From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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MARY LOU WILLIAMS
is 2911 (part 4) : 2013 load test on piles
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Lateral load test for piles shall be done as per IS: 2911, (Part IV) – 2013. Arrangement of concrete block can be made as per test arrangement drawing. After Buy BIS IS 2911-4 : 2013 DESIGN AND CONSTRUCTION OF PILE FOUNDATIONS - CODE OF PRACTICE - PART 4: LOAD TEST ON PILES from SAI Global. PART 4 LOAD TEST ON PILES. ( Second Revision). 1 SCOPE 1.1 This standard (Part 4) covers the load test on all types of piles covered in IS : 2911 (Part 4) - 1985. 3. Indian Standard. CODE OF PRACTICE FOR. DESIGN AND CONSTRUCTION OF. PILE FOUNDATIONS. PART 4 LOAD TEST ON PILES. IS 2911 PART 4 FOR PILE LOAD TEST HAS BEEN UPDATED. CAN I PLEASE GET THE PDF FOR THE SAME. IS 2911 PART IV 2013. THANKS REGARDS ZAFAR AHMEDDownload Free PDF View PDF Accordingly IS 2911 has been published in four parts. The other parts of the standard are: Part 2 Part 3 Part 4 Timber piles This standard (Part 4) was first published in 1979 to cover load test on piles. The other parts of this standard areas follows:(Part 1)Concrete piles(Part 2) IS 2911 : Part 4 : 2013 (Reaffirmed Year : 2018 ) Design and construction of pile foundations - Code of practice : Part 4 Load test on piles - BIS IS 2911-4-2013 Design And Construction Of Pile Foundations - Code Of Practice - Part 4: Load Test On Piles. Related Free Standards. IS 2911 Part 4 2013. SUPPLIED BY Book Supply Bureau UNDER THE LICENSE FROM BIS FOR RESEARCH DESIGNS & STANDARDS ORGANISATION (RDSO) - LUCKNOW. civil engineers and structural engineer need this to solve the structural building problems easly while using this indian standar codesFull description
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