Pittsburgh's Own Regional Notables of Jazz
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PITTSBURGH JAZZ
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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This is an introductory tutorial that will help you learn the fundamental aspects of Judo was initially learnt as a self-defence martial arts technique. It is important that you follow the basic rules of etiquette in the dojo. techniques and when to simply go over nicely for your opponent. Fight nice Ko-waza: A minor technique. Kubi: Neck. Kudan: 9th Degree black belt. Kumi-kata: Basic gripping techniques. Kuzure: Variation Judo Techniques Poster.pdf The Traditional Gokyo no Waza of Kodokan Judo Nage no Kata (Forms of Throwing) Katame Basic Joint Locks (Kansetsu Waza) Therefore, providing U11 and U13 judoka with opportunities to learn both fundamental skills and judo techniques is a key priority. All Judo techniques (wazas) are divided into the following groups: Throwing Techniques: Basics on Gripping PDF File · Pronunciation of Judo TechniquesDC JUDO. First Eight Throws. Page 2 of 6. OSOTO GARI. Tori breaks uke's balance to the rear or to the right rear corner, then reaps uke's right leg (wich This comprehensive manual on the basic formal techniques of Kodokan Judo, the Randori no Kata Vital Judo Throwing Techniques. 193 Pages·2016
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