PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words
Lma classic pdf software

 

LMA CLASSIC PDF SOFTWARE >> Download (Scarica) LMA CLASSIC PDF SOFTWARE

 


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The LMA locates numerous VHF sources from the lightning activity, which can be grouped into individual flashes either manually using special analysis software or through an automated algorithm such Full PDF Package Download Full PDF Package. This Paper. A short summary of this paper. 37 Full PDFs related to this paper. (GraphPad Age 6.32±3 years 4.47±2 years Software, San Diego, CA, (1.5, 2 and ProSeal™ with LMA Classic™ in anaesthetised paralysed children. Indian J Anesth 2008; The LMA Classic ™ laryngeal mask airway (cLMA; Laryngeal Mask Company Ltd, Nicosia, Cyprus) is an airway device that allows unobstructed breathing and ventilation without the need to hold a face mask or intubate the patient [1, 2].Insertion of the cLMA requires some degree of skill. If malpositioned it can obstruct the airway and inadequate depth of anaesthesia may result in the patient Ö. Comparison of i-gel, LMA-supreme, LMA-classic and LMA-proseal as conduits of endotracheal intubation in newborns and infants: A manikin study. Turk J Pediatr 2019; 61: 166-173. Many types of supraglottic airway devices (SAD) including the traditional LMA (Laryngeal Mask Airway) are commonly used as conduits for intubation The LMA Flexible is more difficult to insert compared with the standard LMA Classic because pressure cannot be directly transmitted along the soft flexometallic stem . Suggested techniques for LMA Flexible insertion include the use of the stylet [ 9 ], spatula introducer [ 10 ], Bosworth introducer [ 11 ] and the Flexiguide introducer [ 12 ]. A cross-sectional analysis was performed upon 1061 Chinese CP patients between 2010 and 2015. CP was classified as classical alcoholic CP (ACP; n=206), LMA-CP (n=154), and idiopathic CP (ICP; n=701). Clinical features and genetic characteristics (PRSS1, SPINK1, CTRC, CFTR variant status) were compared between the different groups. Coughing was less frequent after early removal of the LMA, with a risk of 13.9% as compared to the risk of 19.4% after late removal of the LMA. However, airway obstruction was more likely after early removal, with a risk of 15.6%, as compared to a risk of 4.6% after late removal of the LMA. All data analysis was carried out using the professional meta-analysis software, RevMan (V5.1.0; Cochrane Collaboration). Given that different RCTs determined leak pressure using different techniques and in different head positions, we performed subgroup analysis of technique and head positioning. 3. Results 3.1. of previous studies with the LMA-classic may not be applicable to the LMA-ProSeal. We conducted a parallel group randomised trial to study the effects of maintaining cuff pressure below 60 cm H 2O on postoperative pharyn-golaryngeal adverse effects following LMA-ProSeal insertion. Methods This study was carried out after approval from the Insti- IRI Voracity is an end-to-end software platform for fast, affordable, and ergonomic data lifecycle management. Voracity speeds, consolidates, and often combines the key activities of data discovery, integration, migration, governance, and analytics in a single pane of glass, built on Eclipse™. Through its revolutionary convergence of. s. Comparing LMA-Classic with the LMA-Fastrach, no sig-nificantly faster placement could be shown. Numbers of attempts until correct placement were 1.1 ± 0.52 for the LMA-Classic and 1.4 ± 0.95 for the LMA-Fastrach. The measured tidal volume was 777 ± 367 ml for the LMA-Classic. For the LMA-Fastrach, a tidal volume of 1018 ± 50 ml was

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