Pittsburgh's Own Regional Notables of Jazz
AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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PITTSBURGH JAZZ
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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Notice of dishonor slideshare
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NOTICE OF DISHONOR SLIDESHARE >> READ ONLINE NOTICE OF DISHONOR SLIDESHARE
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the transferee of a negotiable instrument is entitled to sue on the instrument in his own name in case of dishonor, without giving notice to the debtor May 16, 2015 — 6. Notice of dishonour (Section 93) Notice of dishonour means the actual notification of the dishonour of the instrument by non-acceptance or by Sep 27, 2013 — Contd… The payee should have given a notice of dishonour to the drawer within 15. Civil liability: Civil Liability is also arises when the Nov 22, 2019 — When a negotiable instrument is dishonored, the holder must give a notice of dishonor to all the prior parties in order to make them liable Party receiving must transmit notice of dishonour. Any party receiving notice of dishonour must, in order to render any prior party liable to himself, give May 29, 2015 — DISHONOUR BY NON PAYMENT When the maker of note, acceptor of the bill or drawee. EFFECT OF DISHONOUR The holder becomes entitled to sue parties Notice of dishonour When a bill is dishonoured, due notice of dishonour is to be given by the holder to the drawer and the intermediate indorsers, but no such Dishonor of cheque Dishonour of a negotiable instrument the payee or to the holder in due course within 30 days of the receipt of the said notice. DISHONOUR OF CHEQUES APURVA AGRAWAL GODREJ & BOYCE MFG. NOTICE
- It is the non-payment of dishonoured cheque within fifteen days from the receipt Jan 15, 2016 — 7. DISHONOUR OF CHEQUE: LEGAL PROCEDURE 1.AFTER the receipt of dishonoured cheque with return memo from bank, demand notice to be sent by
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