PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words
Op amps pdf

 

 

OP AMPS PDF >> DOWNLOAD LINK

 


OP AMPS PDF >> READ ONLINE

 

 

 

 

 

 

 

 











 

 

6: Operational Amplifiers 6: Operational Amplifiers •Operational Amplifier •Negative Feedback •Analysing op-amp circuits •Non-inverting amplifier •Voltage Follower •Inverting Amplifier •Inverting Summing Amplifier •Differential Amplifier •Schmitt Trigger •Choosing Resistor Values •Summary E1.1 Analysis of Circuits (2017-10110) Operational Amplifiers: 6 - 1 / 12 6) Solve for I (KCL at Op Amp output): 1) 0A into the op amp. 2) By voltage division: 3) 0V across op amp inputs 12 3V 5 15 5 0 3 3 12 3 vL vL 12 3 15V 2.5 15 12 3 15 I I 7mA EEL 3111: Circuits 1 1) By formula (inv. op amp) 2) KCL at - (vir. gnd) Cascaded Op Amp Find vO Ex 5 1.5 4.5V 2 6 1 in i f v R R v Small Signal Model of the op amp Alternate equivalent small signal model obtained by Norton to Thevenin transformation M V G A = - G. 28 Single-stage single-input low-gain op amp M v L-G A = sC +G GB and A VO are two of the most important parameters in an op amp V 1 G M V 1 V G IN V OUT C L A V M v0-G G L G C MM LL 2/21/2011 Example An op amp circuit analysis lecture 3/23 Jim Stiles The Univ. of Kansas Dept. of EECS The search for a template… Q: I looked and looked at the notes, and I even looked at the book, but I can't seem to find the right equation for this configuration! A: That's because the "right equation" for this circuit does not exist—at least The name Op Ampcomes from "operational amplifier." Op Amp Golden Rules(memorize these rules) 1)The op amp has infinite open-loop gain. 2)The input impedance of the +/− inputs is infinite. (The inputs are ideal voltmeters). The output impedance is zero. (The output is an ideal voltage source.) 3)No current flows into the +/− inputs of the op amp. Lab 2 - Op Amps Lab 2-1 Lab 2 - Op Amps Format This lab will be conducted during your regularly scheduled lab time in a group format. Again, it is strongly recommended that you rotate roles during the lab. You may ask the lab instructor for assistance if needed, but successful completion of the lab it is each individual's responsibility. Report Op-Amp with Single Supply Examples from Last Class • ideal case (gain = ∞) • V = 2.5 V V = 2.5 V V+ VO 2.5 V 5 V ∞∞∞∞ Mixed Signal Chip Design Lab + O (V + = V-for finite V O and V O centered at 2.5 V) • V+ = 2.501 V VO = 2.5 + A(V +-V-) = ∞ VO = 5 V (limited to supply) • V+ = 2.449 V VO = 2.5 + A(V +-V-) = -∞ VO = 0 V (limited to supply) Lecture 8: Op-Amps; About this Video. Circuit design is complicated by interactions among elements, but these interactions can be reduced or eliminated by using an op-amp as a buffer. This lecture covers how to analyze and design op-amp circuits. Lecture handout (PDF) Lecture slides (PDF) Recitation Video Op Amps: Ideal Op Amp • An ideal op amp is an amplifier with infinite open-loop gain, infinite input resistance, and zero output resistance. • To facilitate the understanding of op amp circuits, we will assume ideal op amps. An op amp is ideal if it has the following characteristics: 1. Infinite open-loop gain, A = ∞ 2. Infinite input 7 Feedback •Most op-amp circuits are designed to use feedback. •Feedback is defined as taking a portion of the output of a circuit and coupling or feeding it back into the input. •If the output fed back is in phase with the input then the circuit has positive feedback. •If the output fed back is out of phase with the input then the circuit has negative feedback. An op-amp is a differential amplifier, that is it amplifies the difference between the two input terminals. If we have a source with voltage Vp connected to the +

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