Pittsburgh's Own Regional Notables of Jazz
AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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PITTSBURGH JAZZ
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin
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Sci-fi manual espresso
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Are manual espresso machines hard to use? Simply put, it's harder for us to repeat the exact physical movements every time we make coffee , in comparison with an automatic machine that works with the press of a button. Overall, manual espresso brewing requires the user to be more mindful, and it takes more time to learn how to pull a shot. fileslib. How do you make espresso with a manual machine? Using a clean, dry portafilter, add approximately 20 grams of ground coffee. Tamp your coffee grinds evenly with the tamper and lock your portafilter in place on your espresso machine. Turn on your machine and begin brewing. If your machine is a manual machine, end your brew when your shot reaches two ounces .
- Kaleep Mini Manual Espresso Machine,Portable Hand Held Espresso ArtStation - Ammo, Tipa_ Graphic Sci Fi Design, Prop Design, Game Design,.
Robbiati of Milan and uses the same fonts found on his Atomic coffee makers. The Martian dates from the early 1950's and is a classic sci-fi design.
Is manual espresso worth it? The satisfaction of a great shot with a lever machine is even more amazing. If you like to take the driver's seat with things you love, a lever machine may be a great fit . You pull the lever, you hold the lever, and you control your shot. It's empowering, it's satisfying, and it's personal.
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