Pittsburgh's Own Regional Notables of Jazz
AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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PITTSBURGH JAZZ
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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Two classic sorting algorithms: mergesort and quicksort to develop them into practical system sorts. Merging: Java implementation. Merge Sort. Presentation for use with the textbook, Algorithm Design and Merge-sort is a sorting algorithm based on the divide-and-conquer paradigm. — merge sort: Repeatedly divides the data in half, sorts each half, and combines the sorted halves into a sorted whole. The algorithm: — Divide the list Divides an array into halves. • Sorts the two halves,. – Then merges them into one sorted array. • The algorithm for merge sort is usually stated recursively. Two classic sorting algorithms: mergesort and quicksort to develop them into practical system sorts. Mergesort: Java implementation. the Arrays class in the Java library and print the resulting string (see Section 7.3.4). In this section, you will learn about the merge sort algorithm,Merge Sort. 5. Quick Sort. ▫ Non-comparison based. 6. Radix Sort. 7. Comparison of Sort Algorithms. ▫ In-place sort. ▫ Stable sort. 8. Use of Java Sort Main observation: To merge two sorted arrays of size n/2, it takes n comparisons at most. i.e., divide phase does all the work; merge phase is trivial. 1. Divide and Conquer is more than just a military strategy, it is also a method of algorithm design that has created such efficient algorithms as Merge Sort. • In
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