AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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Pain Relief Beyond Belief
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From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
WELCOME!
MARY LOU WILLIAMS
Over forty years ago, sentencing in the U.S. was primarily "indeterminate," with judges pronouncing long sentence terms consisting of minimum and maximum times to serve, and parole boards exercising their discretion in reviewing individual cases for release from prison. Since 1980, multiple states, the federal government, and the District of Columbia have enacted sentencing guidelines. master:2022-04-19_10-08-26. The federal sentencing guidelines are rules that federal judges are required to consider when sentencing someone who has been convicted of a federal crime. Intended to give federal judges fair and consistent sentencing ranges to consult when they are handing down a sentence, the guidelines are based on both the This paper provides a brief history of Federal sentencing in the United States, a description of the impetus for reform that culminated in the current Sentencing Guidelines, and a critique of the present approach to Federal sentencing, delineating the major vices and flaws of the U.S. Sentencing Commission and its guidelines. The USSC's Guidelines Manual is over 600 pages long, and the information in the Guidelines Manual is complex, dense, and hard to follow. This Ultimate Guide to the Federal Sentencing Guidelines is intended to provide an introduction to the key information that federal criminal defendants and their lawyers need to know. As a result of mounting pressure, Congress enacted the Sentencing Reform Act of 1984 (SRA). The SRA established a new federal sentencing guideline system. The SRA established sentencing practices by creating the federal sentencing guidelines. In the same Act, Congress also created the United States Sentencing Commission (USSC). The analysis notes that the transfer of formal sentencing authority from Federal judges to the Sentencing Commission is probably the most significant development in assessing the Federal judicial system since the 1938 adoption of the Federal Rules of Civil Procedure. The new regime transformed both the judge's role and the Federal criminal The Origin of the Federal Sentencing Guidelines. The Judicial branch of our federal government houses an independent agency called the United States Sentencing Commission. The Commission has seven voting and two non-voting members. The Commission's purpose is to establish sentencing policies for the federal criminal justice system. In 1984 as These sentencing guidelines were created by the Sentencing Reform Act of 1984, which created the United State Sentencing Commission. The objective of the Federal Sentencing Guidelines was to alleviate disparities that research showed had developed in the sentencing system that was currently in effect. The United States Sentencing Commission is an independent agency of the judicial branch of the U.S. federal government. It is responsible for articulating the U.S. Federal Sentencing Guidelines for the federal courts. The Commission promulgates the Federal Sentencing Guidelines, which replaced the prior system of indeterminate sentencing that allowed trial judges to give sentences ranging from the United States Sentencing Commission, an in-dependent expert body located in the judicial branch. This delegation of authority to the Com- An Introduction to Federal Sentencing . 3 . Guidelines and Statutory Minimums.While . Booker. expanded the courts' discretion to sen-tence outside the guidelines, it
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