AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428
Pain Relief Beyond Belief
http://www.komehsaessentials.com/
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
WELCOME!
MARY LOU WILLIAMS
Dann könnt ihr euch die Bedienungsanleitung für euren Holzspalter, oftmals direkt beim Hersteller noch einmal herunterladen. Viele der am Markt erhältlichenSicherheitshinweise: Der Holzspalter ist nur für den Betrieb durch 1 Person ausgelegt. Es dürfen nie zwei oder mehrere Personen an einer Maschine arbeiten. Widl Holzspalter HF-180/K 18,0 to. Holzspalter mit Drehstom und Zapfwellenantrieb Topfix-System 18,0 to. Spaltkraft Extrem große Spaltlänge von 124 cm Für WIDL Holzspalter Bedienungsanleitungen. Suchen Sie Ihr Holzspalter und lesen Sie gratis die Anleitung oder Fragen Sie andere Besitzer des Produkts. Brennholzspalter. HF-125, HT-130 HF-180 und HT-200. Widl Holzspalter der Serie HF-125 und HF-180 sind serienmäßig mit einer. Bedienungsanleitung für die WIDL XL-14 E Holzspalter Sehen Sie sich die PDF-Datei an und laden Sie sie herunter, finden Sie Antworten auf häufig gestellte
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