Pittsburgh's Own Regional Notables of Jazz
AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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PITTSBURGH JAZZ
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin
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The Z-80 CPU contains 208 bits of R/W memory that are accessible to the programmer. Figure 2.0-2 illustrates how this memory is configured into eighteen Unlike the 8080, the Z80 CPU responds to the. Call Instruction with only one interrupt acknowledge cycle followed by two memory read cycles. Mode 1 Interrupt Z80, like any other microprocessor, comes equipped with a fixed instruction set. These instructions are defined by the manufac-. Part No. Z80. Download, Z80 Click to view. File Size, 2345.56 Kbytes. Page, 330 Pages. Manufacturer, ZILOG [Zilog, Inc.] Direct Link, zilog.com. For information on translations and book distributors outside of the U.S.A., please write to Osborne/. McGraw-Hill at the above address. Z80® ASSEMBLY LANGUAGEThe computer to be constructed is called a Z80 Applications Processor—ZAP com¬ puter for short. It is based on the industry standard Zilog Z80 microprocessor Z80 PROCESSOR. Technical Manual. MK3880. Central Processing Unit. 1979 MICROCOMPUTER. COMPONENT DATA BOOK. Page 2. (Page intentionally left blank ). Page 3 zilog.com. UM008011-0816. User Manual. Z80 Microprocessors. Z80 CPU suggestions, including a correction to the Z80 Status. Z80 Microprocessors datasheet pdf provided by Datasheetspdf.com Datasheet pdf Search for Z80.
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