Pittsburgh's Own Regional Notables of Jazz
AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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PITTSBURGH JAZZ
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin
MARY LOU WILLIAMS
INTERVIEW
Victor Bailey
March 27, 1960 ~ November 11, 2016
Bailey recorded and/or toured with Omar Hakim, Sonny Rollins, Pharoah Sanders, Miriam Makeba, Larry Coryell, Lenny White, Mike Stern, Dennis Chambers, Poogie Bell, Weather Report, Michael Brecker, LL Cool J, Kenny Garrett, Jim Beard, David Gilmore, Lady Gaga, Madonna, Mary J. Blige, Steps Ahead, Sting, Hamiet Bluiett, Olu Dara, Don Alias, Sadao Watanabe, Michał Urbaniak, Urszula Dudziak, Roy Haynes, Tom Browne, Bobby Broom, Jeff Lorber, Bernard Wright, Don Blackman, René McLean, Kevin Eubanks, Najee, Bennie Maupin, Patrice Rushen, and David Fiuczynski...Born in Philadelphia, on March 27, 1960, Victor Bailey was raised by a highly musical family. His father, Morris Bailey Jr., was an active musician and composer, while his uncle, Donald "Duck" Bailey, was a jazz drummer, who played on numerous Blue Note records (e.g., Jimmy Smith Trio, Hampton Hawes, Carmen McRae, Dizzy Gillespie). As a child, Bailey played the drums, but ultimately switched to bass guitar after the bassist in his neighborhood band walked out of a band practice. Taking an immediate liking to the instrument, his father encouraged him to become a bass player. Beginning in 1978, at the age of 18, Bailey attended the Berklee College of Music in Boston after being disqualified from naval service due to asthma...Like his father, Bailey suffered from Charcot-Marie-Tooth disease for most of his adult life. As the disease progressed, Bailey began using a cane to offset his weakened legs. The weakness finally spread to his upper body, necessitating his 2015 retirement from performing and from his teaching position at Berklee College of Music. He died on November 11, 2016, likely from complications from Charcot-Marie-Tooth disease and Amyotrophic lateral sclerosis (Lou Gehrig's disease).
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