Pittsburgh's Own Regional Notables of Jazz
AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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Pain Relief Beyond Belief
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PITTSBURGH JAZZ
From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin
MARY LOU WILLIAMS
INTERVIEW
A Music Review of Tony Adamo's song JB/ Random Act Records
Another jazzy spoken-hop tour through the musical past—this time dedicated to James Brown.
Tony Adamo, who seems to have become the undisputed heavyweight historian and champion of all things jazzy and funky, here spends only about a third of the song doing his uniquely usual thang: spoken-word-scatting on the significance and greatness of The Hardest Working Man in Show Biz. And just when you think maybe Adamo ought not ot be singing—Gotta get up! Gotta get up!—the strength and the passion—always an infectious passion, which is the key to Adamo—bursts through on “Weeellll!” And then Adamo graciously steps off, giving the spotlight up, first to guitarist Steve Homan, who lays down an especially jazzy riff (while his bandmates keep up the JB references underneath) and second to organ master Delbert Bump. Bump’s solo takes up a good half of “JB”—a really good, very impressive, and super mellifluous song.
The line up for JB.
Tony Adamo Vocal/Hipspokenword-wrote lyrics
Mike Clark-Drums
Trumpet,Trombone-Tim Ouimette
Bass-Richie Goods
Bari Sax-Bill Harris
Organ-Delbert Bump
Guitar-Steve Homan
Devon Jackson has written about music and film for a variety of publications from Entertainment Week
http://www.randomactrecords.com/
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