Pain Relief Beyond Belief





From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.


Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?


Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.


For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.


Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.






Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin



       In Her Own Words

Europese première op 12 en 13 november in C-mine, Genk-Belgium


Marta Bressi (visuele composities/ARG) & Dirk Schreurs (muziek/B)

Europese première op 12 en 13 november in C-mine, Genk

Op basis van Minds of Glass, een elfdelige klanksuite (43 minuten) gecomponeerd door Dirk Schreurs, jazzpianist, componist en docent aan het Koninklijk Conservatorium te Brussel, construeerde de Argentijnse kunstenares Marta Graciela Bressi een met de hand digitaal geschilderde state-of-the-art videokunstinstallatie die in een donkere ruimte tot uitdrukking wordt gebracht met elf televisieschermen voorzien van koptelefoonaansluitingen. Het bijzondere aan dit multimediaproject is dat beide artiesten, die op 10000 km van elkaar wonen, via het Internet de artistieke koppeling tussen beeld en klank hebben volbracht. De muziek van Minds of Glass is een eigenzinnige synthese van voice quotes, vintage sounds, electronics en real time jazzimprovisaties. “De beelden sluiten qua emotionaliteit en esthetische draagkracht naadloos aan bij de expressieve esthetiek van de beklijvende filmmuziek”, aldus de New York/Los Angeles Independent Media Board. Minds of Glass werd vorig jaar wereldwijd aan een internationaal kennerspubliek voorgesteld op het Independent International Film and Video Festival in Los Angeles, Californië. Vervolgens verhuisde de installatie in het najaar naar hét Festival of Arts in New York. Bovendien werd de installatie oktober 2009 opengesteld voor het publiek in het Centro Culturel Borges in Buenos Aires, Argentinië. De soundtrack van Minds of Glass is inmiddels ook verkrijgbaar op CD.

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