PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

Badge

Loading…

Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words

Opera House Renovation gets Boost from PHLF

PHLF Supports National Opera House in Restoration of Historic Homewood House

March 30, 2022 3:25 pm

This Queen Anne-style house in Homewood once housed the National Negro Opera Company considered to have been the first African American opera ensemble in the United States.

The Pittsburgh History & Landmarks Foundation is pleased to support Jonnet Solomon, executive director of the National Opera House, to restore the Queen Anne-style house in the Homewood neighborhood of Pittsburgh, which once housed the National Negro Opera Company, considered to have been the first African American opera ensemble in the United States.

“We have a great partnership with PHLF, which has been essential in understanding the scale of the restoration effort we are undertaking,” Ms. Solomon said. “I have been working on this house for more than 20 years and I am pleased to have the support of PHLF, not only on advocacy but in understanding the feasibility of restoration and how to execute a fundraising plan.”

In 2008, our organization supported the house’s designation as a City Historic Landmark. In addition to offering public support for the National Opera House, we have been working to conceptualize new ideas that would move forward the restoration of the house at 7101 Apple Street.

“PHLF has taken the lead and is underwriting the cost of the civil engineering work for the site, which entails the restoration of two historic stone walls that support the structure of the house, and also includes stormwater and erosion mitigation, and landscaping of the steep hillside on which the house is located,” said PHLF President Michael Sriprasert.

“Through this partnership, we have a great opportunity to restore this important house,” said Mr. Sriprasert. “We hope that this historic preservation effort will help create and leverage more funding opportunities for community renewal in this part of our city.”

Built in 1894, the house is a landmark in American history, and not only reflects the complicated history of race in this country, but also the aspirations of African Americans who dreamed of developing and pursuing their love of music, opera, and the performing arts, in this house seated on a hill in Homewood, in Pittsburgh’s East End.

In 1930, the house was purchased by William “Woogie” Harris, Pittsburgh’s first black millionaire and brother to famous photographer Teenie Harris. As the Harris’ family home, the house hosted some of the most famous personalities of African American society, arts, sports, and culture. During a period of discriminatory housing, lodging laws, and practices, the house provided a safe place, community, and accommodations to African American artists and athletes.

The National Negro Opera Company, organized under the direction of Mary Cardwell Dawson, rented the third floor of the house, using it as offices and rehearsal space. The company lasted from 1941 to 1962 and saw productions launched in Homewood and performed in Washington D.C., Chicago, and New York, among other places.

Because of its significance, the house received a historical marker from the Commonwealth of Pennsylvania in 1994 and it is included in African American Historic Sites Survey of Allegheny County, published by the Pennsylvania Historical and Museum Commission in 1994, and in A Legacy in Bricks and Mortar: African-American Landmarks in Allegheny County, published by our organization in 1995.

Our organization is currently designing an oral history and education program about the significance of the house as a part of Pittsburgh and American history named, A Legacy in Stone: Homewood’s National Negro Opera House and the Confluence of Pittsburgh’s African American Culture.

This project, which is funded through a grant from the African American Civil Rights Grant Program through the Historic Preservation Fund administered by the National Park Service, will also include our nomination of the house for listing in the National Register of Historic Places.


Views: 15

Comment

You need to be a member of Pittsburgh Jazz Network to add comments!

Join Pittsburgh Jazz Network

© 2024   Created by Dr. Nelson Harrison.   Powered by

Badges  |  Report an Issue  |  Terms of Service