PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words

Receive $100,000, no questions asked. Just be a jazz legend.

February 21, 20254:17 AM ET

2-Minute Listen
Drummer Herlin Riley, one of 20 inaugural recipients of the Jazz Legacies Fellowship

Drummer Herlin Riley, one of 20 inaugural recipients of the Jazz Legacies Fellowship

Skip Bolen/WireImage/Getty Images

A new fellowship announced this week gives 20 jazz musicians $100,000 each, no strings attached. Just one stipulation: They have to be at least 62 years old.

The Andrew W. Mellon Foundation came up with the idea of honoring elder musicians with the Jazz Legacies Fellowship, says president Elizabeth Alexander.

"Many of the folks who have been making the music forever were in need of support," remembers Alexander. "When we thought about what would the fellowship look like, what would it mean to really say 'We recognize your brilliance and we want, at this point in your lives, to be able to be as helpful as possible?' 


Mellon partnered with The Jazz Foundation of America, a group that regularly gives support to struggling musicians.

Executive Director Joe Petrucelli explains: "The life of a working jazz musician is a precarious one. They don't have adequate insurance, they really live gig-to-gig. And when you encounter a crisis, there's very little to fall back on."

The cash prize is just one part of the fellowship, which also includes a variety of personal and professional services.

The Jazz Foundation assembled a panel of luminaries — including Jason Moran, Terri Lyne Carrington, Arturo O'Farrill, esperanza spalding and Christian McBride — to come up with an initial list of 20 fellowship recipients, emphasizing mostly unheralded artists. Petrucelli says the panel asked: "Who are the artists who are so deserving of an honor like this but have never received anything like it?"

They're as young as 62-year-old drummer Shannon Powell — and as old as trumpeter Dizzy Reece, now 94.

At first, Petrucelli wondered what late-career musicians would do with $100,000. He notes, "Artists well into their 80s have these very rigorous and demanding travel schedules that are kind of a requirement, just in order to survive. So the financial security offered by the fellowship may give them an opportunity to slow down the pace where they want to."


Instead, what he heard over and over again was they want to use the money to continue their work. Petrucelli says these are "artists who have composed operas that are unfinished that will now have an opportunity to complete them. Musicians who have archives of unreleased recordings that they've never really been able to get around to evaluating and releasing."

68-year-old drummer Herlin Riley spent his career keeping the beat for greats like Wynton Marsalis, George Benson, Ahmad Jamal and Marcus Roberts. When he learned about winning the fellowship, he says he channeled comedian Redd Foxx.

"I felt like Fred Sanford when he fakes the heart attack: 'I'm coming to see you, Elizabeth!'," recalled Riley.

Riley appreciates that the honor is coming at this stage of his life.

"Oftentimes, it happens where you get your accolades after you pass away. It's so nice to get your flowers while you can still smell them," he adds.

Instead of investing in his continued work, Riley says he intends to give away his cash prize. "I try to be a giving and a sharing person," he says. "So I'm happy that I can help make a difference in some other people's lives."

The Jazz Foundation of America's Joe Petrucelli says the plan is to award 30 more Jazz Legacies Fellowships over the next three years, at least.

The 2025 Jazz Legacies Fellows are:

 George Cables, 80, pianist, Queens, N.Y.

 Valerie Capers, 89, pianist, Bronx, N.Y.

 George Coleman, 89, saxophonist, New York, N.Y.

 Akua Dixon, 76, cellist, Westchester, N.Y.

 Manty Ellis, 92, guitarist, Milwaukee, Wisc.

 Tom Harrell, 78, trumpeter, New York, N.Y.

 Billy Hart, 84, drummer, Montclair, N.J.

 Bertha Hope, 88, pianist, New York, N.Y.

 Roger Humphries, 81, drummer, Pittsburgh, Pa.

 Carmen Lundy, 70, vocalist, Los Angeles, Calif.

 Amina Claudine-Myers 82, pianist, New York, N.Y.

 Roscoe Mitchell, 84, multireedist, Fitchburg, Wis


 Johnny O'Neal, 68, pianist, New York, N.Y.

 Shannon Powell, 62, drummer, New Orleans, La.

 Julian Priester, 89, trombonist, Seattle, Wash.

 Dizzy Reece, 94, trumpeter, Bronx, N.Y.

 Herlin Riley, 68, drummer, New Orleans, La.

 Michele Rosewoman, 71, pianist, New York, N.Y.

 Dom Salvador, 87, pianist, Long Island, N.Y.

 Reggie Workman, 87, bassist, New York, N.Y.

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