AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS
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Pain Relief Beyond Belief
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From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.
Do you want to know who Dizzy Gillespie idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s? Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?
Some answers can be gleaned from the postings on the Pittsburgh Jazz Network.
For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz. One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical. We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it. When it was happening, little did we know how priceless the memories would become when the times were gone.
Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.
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The sounds emerging from his father’s bedroom prompted young Calvin Stemley to knock on the door one day.
How was it, the boy wondered, that Zackery Stemley Jr. could produce dazzling melodies just by using the three buttons on his trumpet?
“Instead of him answering the question, he said, ‘Have a seat,’” his son recalled. “He pulled a drawer open and got a mouthpiece out. And he said, ‘I want you to do this’:
“Bvvvvvvvvvp!”
Calvin’s attempts at emulation marked the beginning of nearly six decades’ worth of dedication to music that he brings to Monroeville Public Library for a free concert at 7 p.m. Nov. 15 in the Elaine Biondi Gallery Space.
Along with playing saxophone and the occasional clarinet with an impressive array of Pittsburgh-area bands, Stemley had a 25-year career teaching music for Pittsburgh Public Schools. And although he’s retired, the Wilkins Township resident continues his efforts to provide education through performance art.
For example, he collaborates with the instrumental-vocal group Mixxtape, which will stage its Black History Show at 6 p.m. Nov. 19 at Carrone Baptist Church, 7119 Frankstown Ave., Homewood. The free event features inspirational readings, poetry, dance and other elements to help enlighten the audience.
Members of Mixxtape — led by drummer Terrance Levels, who worked with percussionists in Westinghouse High School’s marching band when Stemley taught there — hope to bring a similar performance to Gateway High School for Black History Month.
A musical legacy
Regarding his own history, Stemley carries on the legacy of his father, whose musical pursuits went far beyond practicing trumpet in the bedroom. He was a member the Soul Crusaders, which served as “the backup band for every major act that was coming through Chicago” circa the ’60sat the city’s famed Regal Theater, according to his son.
Leading the Soul Crusaders was another trumpet player, Burgess Gardner, who had the pedigree of performing with the likes of Count Basie, Horace Silver and Ray Charles. Gardner also happened to be the band director at Calvin Stemley’s school when he decided to join.
No trumpets were available for Calvin to play, so Gardner started him on clarinet.
“I was so enthralled by it, I practiced and I practiced and I practiced,” Stemley said. “Three or four weeks later, I had practiced so much that I was moved from beginners’ band to intermediate band. And when that happened, I realized this was the thing that I really wanted to do.”
An early introduction to performance was with a 14-piece combo of classmates called the Soulful Exotics, which placed second in an amateur competition at the Regal.
“At the time, I was really into James Brown,” Stemley recalled. “As part of that band, I played the clarinet. I also was the dancer in that band, and I was doing all the James moves and the splits and all that kind of stuff.”
He went on to attend Grambling State University in Louisiana, earning a bachelor’s degree in music education and accolades including the Institute of Black American Music Award and Grambling’s Theory and Composition Award.
Coming to Pittsburgh
In 1976, Stemley enrolled as a graduate student at the University of Pittsburgh. He earned his master’s in ethnomusicology, the study of the music of different cultures, especially non-Western ones.
“My emphasis was on jazz, and I wrote my master’s thesis on the great Dexter Gordon,” he said about the bebop-pioneering saxophonist, naming Sonny Rollins, Lester Young, Charlie Parker and John Coltrane as other influences.
Stemley takes pride in the musical contributions of Pittsburgh natives, especially those who called Westinghouse their alma mater: pianists Erroll Garner, Ahmad Jamal and Mary Lou Williams, and singers Dakota Staton and Adam Wade.
On Nov. 6, Stemley will host Joy of Sax — an annual event celebrating the birthday of instrument inventor Adolphe Sax, who would have been 209 years old — from 6 to 11 p.m. at the Blue Sky Restaurant in East Liberty. A highlight is the honoring of several mainstays of Pittsburgh’s musician scene, among them retired Court of Common Pleas Judge Warren Watson, age 100.
Approaching his 70th birthday in December, Calvin looks back on trying Zackery Stemley’s trumpet and playing for Burgess Gardner as defining his role in life.
“It really affected me in a great way. The first five years of school were different than when I got involved with band. And every positive type of association in my life was after I got involved with music,” he said. “So I guess I was getting musical therapy as a sixth-grader.”
Harry Funk is a Tribune-Review news editor. You can contact Harry at hfunk@triblive.com.
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