PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words

The Good, the Bad & the Ugly: Here is the Ugly

US jazz musicians were drafted into the CIA’s MKULTRA

US Jazz musicians were drafted into CIA’s MKULTRA

by Jon Rappoport

March 24, 2014

www.nomorefakenews.com

Here is a bit of US history that shows the reach of the CIA’s infamous mind-control program, MKULTRA.

During the 1940s and 50s, it was common knowledge that musicians who were busted for drug use were shipped, or volunteered to go, to Lexington, Kentucky. Lex was the first Narcotics Farm and US Health Dept. drug treatment hospital in the US.

According to diverse sources, here’s a partial list of the reported “hundreds” of jazz musicians who went to Lex: Red Rodney, Sonny Rollins, Chet Baker, Sonny Stitt, Howard McGhee, Elvin Jones, Zoot Sims, Lee Morgan, Tadd Dameron, Stan Levey, Jackie McLean.

It’s also reported that Ray Charles was there, and William Burroughs, Peter Lorre, and Sammy Davis, Jr.

It was supposed to be a rehab center. A place for drying out.

But it was something else too. Lex was used by the CIA as one of its MKULTRA centers for experimentation on inmates.

The doctor in charge of this mind control program was Harris Isbell. Ironically, Isbell was, at the same time, a member of the FDA’s Advisory Committee on the Abuse of Depressant and Stimulant Drugs.

Isbell gave LSD and other psychedelics to inmates at Lex.

At Sandoz labs in Switzerland, Dr. Albert Hofmann, the discoverer of LSD, also synthesized psilocybin from magic mushrooms. The CIA got some of this new synthetic from Hofmann and gave it to Isbell so he could try it out on inmates at Lex.

MKULTRA was a CIA program whose goal was to control minds…in part through the use of drugs.

Isbell worked at Lex from the 1940s through 1963. It is reported that in one experiment, Isbell gave LSD to 7 inmates for 77 consecutive days. At 4 times the normal dosage. That is a chemical hammer of incredible proportions.

To induce inmates to join this drug experiment, they were offered the drug of their choice, which in many cases was heroin. So at a facility dedicated to drying out and rehabbing addicts, addicts were subjected to MKULTRA experiments and THEN a re-establishment of their former habit.

Apparently as many as 800 different drugs were sent to Isbell by the CIA or CIA fronts to use on patients at Lex. Two of the fronts? The US Navy and the US National Institute of Mental Health.

In another MKULTRA experiment at Lex, nine men were strapped down on tables. They were injected with psilocybin. Lights were beamed at their eyes–a typical mind control component.

During Isbell’s tenure, no one knows how many separate experiments he ran on the inmates. No one knows what other mind-control programming he attempted to insert along with the drugs.

As I say, Lex was the main stop for drying out for NY jazz musicians. How many of them were taken into these MKULTRA programs?

As Martin Lee explains in his book, Acid Dreams, “It became an open secret…that if the [heroin] supply got tight [on the street], you could always commit yourself to Lexington, where heroin and morphine were doled out as payment if you volunteered for Isbell’s whacky drug experiments. (Small wonder Lexington had a return rate of 90%.)”

A June 15, 1999, Counterpunch article by Alexander Cockburn and Jeffrey St. Clair, “CIA’s Sidney Gottlieb: Pusher, Assassin & Pimp— US Official Po... contains these quotes on Dr. Isbell:

“Gottlieb also funded the experiments of Dr. Harris Isbell. Isbell ran the Center for Addiction Research in Lexington, Kentucky. Passing through Isbell’s center was a captive group of human guinea pigs in the form of a steady stream of black heroin addicts. More than 800 different chemical compounds were shipped from Gottlieb to Lexington for testing on Isbell’s patients.

“Perhaps the most infamous experiment came when Isbell gave LSD to seven black men for seventy-seven straight days. Isbell’s research notes indicates that he gave the men ‘quadruple’ the ‘normal’ dosages. The doctor marveled at the men’s apparent tolerance to these remarkable amounts of LSD. Isbell wrote in his notes that ‘this type of behavior is to be expected in patients of this type.’

“In other Gottlieb-funded experiment at the Center, Isbell had nine black males strapped to tables, injected them with psylocybin, inserted rectal thermometers, had lights shown in their eyes to measure pupil dilation and had their joints whacked to test neural reactions.”

Jon Rappoport

The author of two explosive collections, THE MATRIX REVEALED and EXIT FROM THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

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