PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words

The Jazz Journalists Association gives 2023 Pittsburgh Jazz Hero Award to Gail Austin and Mensah Wali

Jazz Heroes Gail Austin & Mensah Wali

Pittsburgh Jazz Heroes

Gail Austin and Mensah Wali - 2023 Pittsburgh Jazz Heroes

Gail Austin and Mensah Wali, a married couple, were retirees when they incorporated the Kente Arts Alliance as a 501(c)3 organization in 2007, to present high-quality jazz and other music of the African diaspora in Black neighborhoods of Pittsburgh, which they regretted didn’t have entertainment options comparable to the city’s Downtown Cultural District. They’ve changed that, slowly, steadily, definitively.

For the first concerts they booked (of Louis Hayes Cannonball Adderley Legacy band – the Pittsburgh Post-Gazette proclaimed it “Best Jazz Show of the Year”), Wali (who had jazz world contacts) and Austin (who learned to write grants),  depended on their own finances, promotion and grassroots fundraising, but over 14 years they’ve gained support. A devoted fan base attends concerts held at The New Hazlett Theater and The Kelly-Strayhorn Theater, and funding comes from BNY Mellon Foundation, Highmark (health insurers), The Pittsburgh Foundation and The Heinz Endowments and PNC Charitable Trusts, among other entities.

The pair choose who to present based on their complementary tastes, emphasizing artists with strong African affiliations – Randy Weston, Cyrus Chestnut, South African pianist Nduduzo Makhathini and trumpeter Hugh Masekela, among others. They’ve shined a spotlight on social justice issues, presenting Charenée Wade’s project featuring the works of Gil Scott Heron, and trombonist Craig Harris, whose on-going project “Breathe” memorializes victims of police violence. Kente’s “Color of Strings” concert paid homage to both iconic bassist Ray Brown and women quilters of the deep south.

This is retirement? Besides productions, they maintain an informational website and during the pandemic produced “Kente at Home“ livestreams, reluctantly at first but with increasing enthusiasm as the events – featuring playing including Lakecia Benjamin, Dwayne Dolphin and Orrin Evans, video’d at social distance inside a tent set outdoor s– were enjoyed more widely than they’d expected.

“We missed hearing music live!” Gail explained why they tried the format during an Alternative Venues for Jazz presentation she and Mensah did in January 2022. It didn’t take much for Jazz Heroes Gail Austin and Mensah Wali to agree that streaming live music as an expression of the African diaspora was indeed fulfilling Kente Arts Alliance’s  mission.

By Dr. Nelson Harrison, Photo by Ryan Loew/90.5 WESA

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Comment by Dr. Nelson Harrison on April 26, 2023 at 12:21am

Comment by Dr. Nelson Harrison on April 26, 2023 at 12:10am

Comment by Dr. Nelson Harrison on April 26, 2023 at 12:09am

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Comment by Dr. Nelson Harrison on April 24, 2023 at 3:40pm

Comment by Roberta Windle on April 12, 2023 at 9:56pm

Well deserved. Thank you for providing Pgh with such wonderful Jazz artists.

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