From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.


Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?


Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.


For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.


Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.






Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin



       In Her Own Words

The Mad Hatters were a Pittsburgh Jazz trio formed by Billy Strayhorn in 1937. These two sides are thought to be their only surviving recordings. They were r...

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Comment by Roberta Jean Windle on December 14, 2015 at 12:31am

Oh so nostalgic. Very much enjoyed. Thanks for sharing.

Comment by SOUTHSIDE JERRY MELLIX on December 4, 2015 at 8:15pm

WOW!!  I love this.  Thanks for sharing and thanks Mr. Wright for restoring this little gem.

Comment by Abby Mendelson on December 4, 2015 at 3:30pm

Wonderful!  Thank you!

Comment by Dr. Nelson Harrison on December 3, 2015 at 11:49pm

The Mad Hatters were a Pittsburgh Jazz trio formed by Billy Strayhorn in 1937. These two sides are thought to be their only surviving recordings. They were recorded at Volkwein's, here in Pittsburgh, on December 21st, 1938. They were restored by Bryan Wright on November 29th, 2015, which marks Billy Strayhorn's 100th birthday. Personnel includes Billy Strayhorn (piano), Jerome 'Jerry' Eisner (clarinet) and Calvin Dort (drums).

Thank you to Bryan Wright

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