PROGRESSIVE MUSIC COMPANY

AFRO-AMERICAN MUSIC INSTITUTE CELEBRATES 36 YEARS

BOYS CHOIR AFRICA SHIRTS
 
 
http://www.indiegogo.com/projects/building-today-for-tomorrow/x/267428

 Pain Relief Beyond Belief

                         http://www.komehsaessentials.com/                              

 

PITTSBURGH JAZZ

 

From Blakey to Brown, Como to Costa, Eckstine to Eldridge, Galbraith to Garner, Harris to Hines, Horne to Hyman, Jamal to Jefferson, Kelly to Klook; Mancini to Marmarosa, May to Mitchell, Negri to Nestico, Parlan to Ponder, Reed to Ruther, Strayhorn to Sullivan, Turk to Turrentine, Wade to Williams… the forthcoming publication Treasury of Pittsburgh Jazz Connections by Dr. Nelson Harrison and Dr. Ralph Proctor, Jr. will document the legacy of one of the world’s greatest jazz capitals.

 

Do you want to know who Dizzy Gillespie  idolized? Did you ever wonder who inspired Kenny Clarke and Art Blakey? Who was the pianist that mentored Monk, Bud Powell, Tad Dameron, Elmo Hope, Sarah Vaughan and Mel Torme? Who was Art Tatum’s idol and Nat Cole’s mentor? What musical quartet pioneered the concept adopted later by the Modern Jazz Quartet? Were you ever curious to know who taught saxophone to Stanley Turrentine or who taught piano to Ahmad Jamal? What community music school trained Robert McFerrin, Sr. for his history-making debut with the Metropolitan Opera? What virtually unknown pianist was a significant influence on young John Coltrane, Shirley Scott, McCoy Tyner, Bobby Timmons and Ray Bryant when he moved to Philadelphia from Pittsburgh in the 1940s?  Would you be surprised to know that Erroll Garner attended classes at the Julliard School of Music in New York and was at the top of his class in writing and arranging proficiency?

 

Some answers  can be gleaned from the postings on the Pittsburgh Jazz Network.

 

For almost 100 years the Pittsburgh region has been a metacenter of jazz originality that is second to no other in the history of jazz.  One of the best kept secrets in jazz folklore, the Pittsburgh Jazz Legacy has heretofore remained mythical.  We have dubbed it “the greatest story never told” since it has not been represented in writing before now in such a way as to be accessible to anyone seeking to know more about it.  When it was happening, little did we know how priceless the memories would become when the times were gone.

 

Today jazz is still king in Pittsburgh, with events, performances and activities happening all the time. The Pittsburgh Jazz Network is dedicated to celebrating and showcasing the places, artists and fans that carry on the legacy of Pittsburgh's jazz heritage.

 

WELCOME!

 

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Duke Ellington is first African-American and the first musician to solo on U.S. circulating coin

    MARY LOU WILLIAMS     

            INTERVIEW

       In Her Own Words

Afro-Asian Music Ensemble

Event Details

Afro-Asian Music Ensemble

Time: April 23, 2015 from 7:30pm to 10pm
Location: First Unitarian Church
Street: 605 Morewood Ave., Shadyside
City/Town: Pittsburgh PA 15232
Phone: 412-682-0591
Event Type: concert
Organized By: Manny Theiner
Latest Activity: Apr 15, 2015

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Event Description

Advanced Jazz and Silk Screen co-present the

Pgh debut of
AFRO-ASIAN MUSIC ENSEMBLE
http://discoverfredho.org/afro-asian-music-ensemble/

performing the compositions of legendary
Chinese-American jazz composer Fred Ho
http://discoverfredho.org/

Thu Apr 23 7:30 pm all ages welcome
$16 adv/$20 door


First Unitarian Church, 605 Morewood Ave, Shadyside


tickets on sale at Sound Cat Records, Caliban Books, Dave's Music Mine, and Acoustic Music Works



Current group:

The Afro Asian Music Ensemble is the product of over three decades of Fred Ho’s revolutionary and multicultural musical and theatrical productions. Consisting of Royal Hartigan (drums), Masaru Koga (alto sax), and Ben barson (who wields Fred Ho’s own Mark VI Baritone Sax), and other notable alumni from Fred Ho’s bands including Wes Brown (bass) and David Bhindman (Tenor Sax), the ensemble represents the core of Fred’s compositional legacy. Fred wrote for this 6 piece ensemble for the majority of his career, combining groovy mixed meters bass lines with Chinese percussion, Korean operatic tuning systems, and infectious funk — all set to agitprop titles with uplifting references to the people’s struggle for liberation and dignity!

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